{"id":9856,"date":"2016-04-19T00:58:19","date_gmt":"2016-04-19T07:58:19","guid":{"rendered":"http:\/\/jazzusa.com\/?p=9856"},"modified":"2013-03-25T18:50:05","modified_gmt":"2013-03-26T01:50:05","slug":"miles-davis-quintet-live-in-europe-1969-the-bootleg-series-vol-2","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=9856","title":{"rendered":"Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2"},"content":{"rendered":"<p>Originally recorded at Festival Mondial du Jazz d\u2019Antibes, La Pinede, Juan-les-Pins, France on July 25, 1969 and at Folkets Hus in Stockholm, Sweden on November 5, 1969, this is the first officially released music of Miles Davis with his awesome \u201cthird quintet.\u201d<\/p>\n<p>This one-of-a-kind box set also features a kinetic video of their concert in Berlin.\u00a0 There are 3-discs, a DVD, and liner notes offering new information about the great Miles Davis jamming with such inspired musicians as pianist Chick Corea, saxophonist Wayne Shorter, drummer Jack DeJohnette, and bassist Dave Holland!<\/p>\n<p>The set lists showcase Davis\u2019 Quintet playing music from his bebop, hard bop, modal, and electric eras with freewheeling solos from Davis and Shorter, aggressive bass playing by Holland, electric keyboards from Chick Corea, and power drumming by DeJohnette.<\/p>\n<p>Much of the material is completely re-imagined, played with a muscular, intense, communicative freedom that is innovative and creative. \u00a0Songs such as &#8220;&#8216;Round Midnight,&#8221; &#8220;Spanish Key &#8220;Nefertiti, the 14-minute &#8220;Bitches Brew&#8221; will thoroughly entertain you and the DVD offers a panoramic, view of the band with great sound.\u00a0<i>Miles Davis Quintet: Live In Europe 1969 The Bootleg Series Vol. 2\u00a0<\/i>is energetic, complex yet accessible, exciting and ground-breaking. <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B00b3es2om\/thesoundsoftimel\/\" target=\"_blank\">Buy it toda<\/a>y.<\/p>\n<p align=\"center\"><span style=\"font-size: small; color: #000000; font-family: Verdana, Helvetica;\">Reprinted with permission of&#8230;<br \/>\n<a href=\"http:\/\/www.soundsoftimelessjazz.com\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"Sounds of Timeless Jazz\" title=\"Sounds of Timeless Jazz\" src=\"https:\/\/jazzusa.com\/sotjlogo.gif\" width=\"480\" height=\"70\" border=\"0\" \/><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Originally recorded at Festival Mondial du Jazz d\u2019Antibes, La Pinede,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-9856","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9856"}],"version-history":[{"count":2,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9856\/revisions"}],"predecessor-version":[{"id":9894,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9856\/revisions\/9894"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}