{"id":9853,"date":"2016-04-28T00:01:24","date_gmt":"2016-04-28T07:01:24","guid":{"rendered":"http:\/\/jazzusa.com\/?p=9853"},"modified":"2013-04-28T22:14:13","modified_gmt":"2013-04-29T05:14:13","slug":"wayne-shorter-without-a-net","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=9853","title":{"rendered":"Wayne Shorter &#8211; Without A Net"},"content":{"rendered":"<p>This priceless recording from Wayne Shorter\u00a0is his first album on the Blue Note recording label as a leader in 43 years.\u00a0<em>Without A Net<\/em>is a nine-track musical thrill ride that consists of live recordings from the Wayne Shorter Quartet&#8217;s European tour in late 2011, the one exception being the 23-minute tone poem &#8220;Pegasus.&#8221;<\/p>\n<p>&#8220;Pegasus&#8221;\u00a0 features the quartet with The lmani Winds which they recorded at Walt Disney Concert Hall in Los Angeles.\u00a0Joining Wayne on this searing new album are his long-running quartet featuring pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade.The album features six new Wayne Shorter compositions, as well as new versions of his tunes &#8220;Orbits&#8221; (from Miles Davis&#8217;\u00a0<em>Miles Smiles<\/em>\u00a0album) and &#8220;Plaza Real&#8221; (from the Weather Report album\u00a0<em>Procession<\/em>).<\/p>\n<p>The quartet also reinvents the title song from the 1933 musical film\u00a0<em>Flying Down To Rio<\/em>, which film buffs (such as Shorter) know as the first on-screen pairing of Fred Astaire and Ginger Rogers.<a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B00A4oALL0\/thesoundsoftimel\/\" target=\"_blank\"> Click HERE to buy your copy<\/a>.<\/p>\n<p align=\"center\"><span style=\"font-size: small; color: #000000; font-family: Verdana, Helvetica;\">Reprinted with permission of&#8230;<br \/>\n<a href=\"http:\/\/www.soundsoftimelessjazz.com\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" title=\"Sounds of Timeless Jazz\" alt=\"Sounds of Timeless Jazz\" src=\"https:\/\/jazzusa.com\/sotjlogo.gif\" width=\"480\" height=\"70\" border=\"0\" \/><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This priceless recording from Wayne Shorter\u00a0is his first album on<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-9853","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9853"}],"version-history":[{"count":2,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9853\/revisions"}],"predecessor-version":[{"id":10280,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9853\/revisions\/10280"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}