{"id":9771,"date":"2016-05-01T00:09:36","date_gmt":"2016-05-01T07:09:36","guid":{"rendered":"http:\/\/jazzusa.com\/?p=9771"},"modified":"2013-04-28T22:13:32","modified_gmt":"2013-04-29T05:13:32","slug":"lee-ritenour-rhythm-sessions","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=9771","title":{"rendered":"Lee Ritenour &#8211; Rhythm Sessions"},"content":{"rendered":"<p>In addition to the great guitar playing that Lee Ritenour offers his listeners on his latest release called Rhythm Sessions, the 12 distinctive rhythm sections he employed are what makes this recording a masterpiece. The musicians he invited to play on these 12 sessions are an elite group of award-winning veterans as well as exciting newcomers who compliment Lee Ritenour\u2019s amazing sound with their own versatility and innovative musical techniques.<\/p>\n<p>Among the stellar special guests are Chick Corea, George Duke, Stanley Clarke, Christian McBride, Dave Grusin, Marcus Miller and the winners of Lee Ritenour\u2019s Annual Six-String Theory International Competition and many others. The set includes compositions you are sure to love since they embrace a variety of sounds and grooves, all rooted in jazz, but also layered with shades of funk, R&amp;B, Latin, World Music and more. Ritenour produced, arranged and wrote 5 of the songs with several of the featured musicians as inspiration.<\/p>\n<p>The set opens with \u201cThe Village,\u201d a funky piece that features George Duke out front on Fender Rhodes and Moog synthesizer with Lee, Stanley Clarke, Dave Weckl and Munyungo Jackson doing their thing. This song features a dynamic solo by Clarke on acoustic bass and the awesome chops of Ritenour. \u201cRiver Man\u201d features Kurt Elling\u2019s expressive vocals and storytelling and the accompaniment of Dave Grusin, Nathan East, Will Kennedy, Ariel Mann and a soulful solo by Lee Ritenour. This is one great song and is certain to get a second and third listen from you, dear listener. With a dynamic aggregation of musicians that includes Patrice Rushen and Marcus Miller, Lee once again proves his worth as a musician and dynamic interpreter on Herbie Hancock\u2019s \u201cFat Albert Rotunda.\u201d Miller contributes his trademark funky bass riffs and Patrice Rushen\u2019s distinct character on acoustic piano shines through beautifully.<\/p>\n<p>Christian McBride offers his awesome acoustic bass interpretation during a solo on \u201c800 Streets By Feet\u201d \u2013 a song made famous by EST. Chick Corea\u2019s \u201cChildren\u2019s Song\u201d gets an update from the master himself as he and Lee are accompanied by Alan Pasqua, Peter Erskine, Chuck Berghofer and Ariel Mann. John Beasley\u2019s piano playing on \u201cSpam-Boo-Limbo&#8221; is an effective highlighter for Lee\u2019s spirited guitar playing. One of the prettiest songs on the CD is \u201cRose Petals.\u201d The song is played with the same delicacy as a rose petal and everyone contributes brilliant bits of musicality. While all of the songs on this great program are priceless, the addition of these masterful players makes this one of Lee Ritenour\u2019s best recordings in his repertoire. <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B008oiqytg\/thesoundsoftimel\/\" target=\"_blank\">Click HERE to Buy Rhythm Sessions now.<\/a><\/p>\n<p align=\"center\"><span style=\"font-size: small; color: #000000; font-family: Verdana, Helvetica;\">Reprinted with permission of&#8230;<br \/>\n<a href=\"http:\/\/www.soundsoftimelessjazz.com\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" title=\"Sounds of Timeless Jazz\" alt=\"Sounds of Timeless Jazz\" src=\"https:\/\/jazzusa.com\/sotjlogo.gif\" width=\"470\" height=\"70\" border=\"0\" \/><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In addition to the great guitar playing that Lee Ritenour<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-9771","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9771"}],"version-history":[{"count":7,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9771\/revisions"}],"predecessor-version":[{"id":10279,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9771\/revisions\/10279"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}