{"id":9731,"date":"2016-03-21T20:52:19","date_gmt":"2016-03-22T03:52:19","guid":{"rendered":"http:\/\/jazzusa.com\/?p=9731"},"modified":"2013-03-22T09:01:25","modified_gmt":"2013-03-22T16:01:25","slug":"the-verge","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=9731","title":{"rendered":"The Verge"},"content":{"rendered":"<p>Formed in New York City in 2011,\u00a0the Verge\u00a0is an exciting mix of yesterday, today and tomorrow. Merging improvisational music with World Pop, and original songs, the Verge brings\u00a0a unique blend that live, evolves differently each night, never knowing where they are going but arriving there with conviction.<br \/>\n<iframe loading=\"lazy\" width=\"480\" height=\"300\" src=\"http:\/\/www.youtube.com\/embed\/WTyzStoVF84\"><\/iframe><\/p>\n<p>From the Latin-jazzed Miles Davis classic \u201cJoshua\u201d and Soundgarden\u2019s \u201cBlack Hole Sun,\u201d to the Johnny Hartman-like swing created on Britney Spears 2011 hit \u201cI Wanna Go,\u201d homage is paid to the past, but with feet firmly planted in today\u2019s microteck world\u2026the Verge\u00a0is forward moving, mixing intensity with lyricism and melodicism.<\/p>\n<p>An original cut penned by Jon Hanser, entitled \u201cAriel,\u201d remembers Sylvia Plath and reaches out to the emotionally downtrodden. The \u201cDead of Night,\u201d tone poems a village late on a snowy night.\u00a0 \u201cAbove and Beyond\u201d draws upon the deep talents of special guest bassist Richard Bona, to promise a vision of earth from space for all to see.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Formed in New York City in 2011,\u00a0the Verge\u00a0is an exciting<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-9731","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9731"}],"version-history":[{"count":8,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9731\/revisions"}],"predecessor-version":[{"id":9874,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/9731\/revisions\/9874"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}