{"id":8738,"date":"2015-10-16T00:00:54","date_gmt":"2015-10-16T07:00:54","guid":{"rendered":"http:\/\/jazzusa.com\/?p=8738"},"modified":"2012-09-29T19:04:21","modified_gmt":"2012-09-30T02:04:21","slug":"quincy-jones-sammy-nestico-orchestra-basie-and-beyond","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=8738","title":{"rendered":"Quincy Jones-Sammy Nestico Orchestra &#8211; Basie and Beyond"},"content":{"rendered":"<p>Some Count Basie fans might consider the title slightly misleading; although one of the two principals is arranger\/composer Sammy Nestico, who was to Basie what Billy Strayhorn was to Duke Ellington, the only truly Basie-related track is a new version of &#8220;For Lena and Lennie,&#8221; which Quincy Jones wrote for the Count back in the &#8217;60s.<\/p>\n<p>The rest of the album alternates between classic Nestico tunes and resurrected oldies from Jones&#8217;s &#8217;50s and &#8217;60s jazz days. The 27-piece big band is an all-star date, mostly featuring West Coast jazzers and session men a generation or two after Basie&#8217;s, including flautist Hubert Laws, percussionist Paulinho da Costa, tenor saxophonist Ernie Watts and Charlie Christian-like electric guitarist Paul Jackson, Jr.<\/p>\n<p>The set list is heavy on Nestico&#8217;s ballads, and the laid-back arrangements, laden with woodwinds and vibes, tend to glide more often than they swing, but BASIE AND BEYOND is a nice self-tribute to Jones&#8217;s and Nestico&#8217;s abilities.<\/p>\n<p><span class=\"wp-oembed\" style=\"font-size: 12px; color: #008000;\">Personnel includes: Ernie Watts (saxophone, woodwinds); Kirk Whalum (saxophone); Jerry Hey, Oscar Brashear, Warren Luening (trumpet); Bill Watrous, George Bohannon (trombone); Hubert Laws (flute); Randy Kerber (piano); Greg Phillinganes (electric piano); Paul Jackson, Jr. (guitar); Neil Stubenhaus (electric bass); Vinnie Colaiuta (drums); Paulinho Da Costa (percussion).<\/span><\/p>\n<p><span class=\"wp-oembed\" style=\"font-size: 12px; color: #008000;\">Producers: Quincy Jones, Sammy Nestico, Jerry Hey.<\/span><\/p>\n<p><span class=\"wp-oembed\" style=\"font-size: 12px; color: #008000;\">Composers: Jeremy Lubbock; Quincy Jones; Sammy Nestico.<\/span><\/p>\n<p><span class=\"wp-oembed\" style=\"font-size: 12px; color: #008000;\">Tributee: Count Basie.<\/span><\/p>\n<p><span class=\"wp-oembed\" style=\"font-size: 12px; color: #008000;\">Personnel: Paul Jackson, Jr. (electric guitar); Dan Higgins, Ernie Watts, Gary Foster, Gerald Albright, Jack Nimitz, Pete Christlieb (woodwinds, saxophone); Gary Grant, Jerry Hey, Oscar Brashear, Rick Baptist, Warren Luening, Wayne Bergeron (trumpet); Jerry Folsom, Greg Williams , Brad Warnaar (French horn); George Bohannon, Bill Reichenbach , Reggie Young , Charlie Loper, Bill Watrous (trombone); Tommy Johnson (tuba); Randy Kerber (piano); Greg Phillinganes (electric piano); Emil Richards (vibraphone, percussion); Vinnie Colaiuta (drums).<\/span><\/p>\n<p><span class=\"wp-oembed\" style=\"font-size: 12px; color: #008000;\">Audio Mixers: Bill Smith ; Steve Genewick; Tommy Vicari.<\/span><\/p>\n<p><span class=\"wp-oembed\" style=\"font-size: 12px; color: #008000;\">Liner Note Authors: Quincy Jones; Sammy Nestico.<\/span><\/p>\n<p><span class=\"wp-oembed\" style=\"font-size: 12px; color: #008000;\">Recording information: Capitol Studios A And C, Hollywood, CA; NRG Recording, North Hollywood, CA.<\/span><\/p>\n<p><span class=\"wp-oembed\" style=\"font-size: 12px; color: #008000;\">Arrangers: Quincy Jones; Sammy Nestico.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some Count Basie fans might consider the title slightly misleading;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-8738","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8738"}],"version-history":[{"count":1,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8738\/revisions"}],"predecessor-version":[{"id":8740,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8738\/revisions\/8740"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}