[utube foo=”wOfjhyCbna8″]Guitarist Peter White teams up with GRAMMY winning saxophonists David Sanborn and Kirk Whalum on his 13th recording. Here We Go offers listeners an eclectic mix of songs that reflect White\u2019s virtuosity as a guitarist, songwriter and collaborator. White also pays homage to several places and people including David Sanborn, Bob Marley, the late Princess Diana, and the beautiful country of Costa Rica.<\/p>\n
The creativity and the energy flowing from DC, Philippe Saisse on keyboards, his guest saxophonists and his amazing ensembles form a winning sound as these musicians work together to produce and convey a joyous, diverse recording. The set opens with \u201cNight After Night\u201d an upbeat tune that captures the moods of what listeners can expect from the program. White follows with the powerful ballad, \u201cTime Never Sleeps\u201d a song co-written with Philippe Saisse. <\/p>\n
\u201cHere We Go,\u201d features David Sanborn\u2019s exciting chops and was written with him in mind, while \u201cMy Lucky Day\u201d pays homage to Bob Marley and \u201cRequiem For A Princess\u201d which White says \u201cmay be the saddest song I have ever written\u201d is dedicated to the late Princess Diana. \u201cDesert Night\u201d and \u201cCosta Rica\u201d are built on Latin rhythms with the latter featuring Roman Yslas on congas and timbales. Overall, each song has a special story and Peter White\u2019s impeccable guitar sensibilities make Here We Go even more special. <\/p>\n
[sotj]<\/p>\n","protected":false},"excerpt":{"rendered":"
[utube foo=”wOfjhyCbna8″]Guitarist Peter White teams up with GRAMMY winning saxophonists<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-8642","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8642"}],"version-history":[{"count":3,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8642\/revisions"}],"predecessor-version":[{"id":8681,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8642\/revisions\/8681"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}