{"id":8532,"date":"2015-09-08T09:15:21","date_gmt":"2015-09-08T16:15:21","guid":{"rendered":"http:\/\/jazzusa.com\/?p=8532"},"modified":"2012-09-10T21:42:50","modified_gmt":"2012-09-11T04:42:50","slug":"eddie-gip-noble-in-the-lite-of-things","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=8532","title":{"rendered":"Eddie Gip Noble &#8211; In The Lite Of Things"},"content":{"rendered":"<p>For the album In the Light of Things, Noble selected well-known, highly-charted hits (R&amp;B, pop, rock, jazz and country) from the past five decades and turned them into instrumental smooth jazz. His wide-ranging song choices include selections seldom heard in smooth jazz. The material comes from many genres: rock (Bruce Springsteen\u2019s \u201cStreets of Philadelphia\u201d), British pop (The Beatles\u2019 \u201cBlackbird,\u201d Peter Gabriel\u2019s \u201cRed Rain,\u201d Sting\u2019s Desert Rose,\u201d Tears for Fears\u2019 \u201cShout\u201d), R&amp;B\/pop (Michael Jackson\u2019s \u201cThis Girl is Mine,\u201d Vanessa Carlton\u2019s \u201c1,000 Miles,\u201d Vanessa Williams\u2019 \u201cSave the Best for Last\u201d), jazz (Vince Guaraldi\u2019s \u201cLinus and Lucy\u201d) and country (Charlie Rich\u2019s \u201cBehind Closed Doors,\u201d George Strait\u2019s \u201cRun\u201d).<\/p>\n<p>Noble also performs an original (\u201cDon\u2019t Want to Be Alone Tonight\u201d) co-written with Dee Dee McNeil (who has written for the Supremes, the Four Tops and Gladys Knight) and sung by Zuri (whose background includes Chaka Kahn, Brenton Woods, and Noble\u2019s first album). Another special guest on the album is electric guitarist Jim Henkin who adds a scorching solo on \u201cLinus and Lucy.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the album In the Light of Things, Noble selected<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-8532","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8532"}],"version-history":[{"count":4,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8532\/revisions"}],"predecessor-version":[{"id":8557,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8532\/revisions\/8557"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}