{"id":8503,"date":"2015-09-07T19:05:25","date_gmt":"2015-09-08T02:05:25","guid":{"rendered":"http:\/\/jazzusa.com\/?p=8503"},"modified":"2012-09-09T09:06:47","modified_gmt":"2012-09-09T16:06:47","slug":"introducing-shingo-yuji","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=8503","title":{"rendered":"Introducing Shingo Yuji"},"content":{"rendered":"<p class=\"wp-oembed\">1. Laputa by Shingo Yuji<br \/>\nThe oldest song on this album, Laputa was composed when I was about 19. I wrote it after watching Hayao Miyazaki&#8217;s animated film, &#8220;Laputa: Castle in the Sky.&#8221; Many Japanese from my generation grew up on Miyazaki&#8217;s stories and his influence is present to this day.<\/p>\n<p class=\"wp-oembed\">2. Shadows on the Sun by Shingo Yuji<br \/>\nThis is a song based on &#8220;Rhythm Change,&#8221; which I believe is one of the most fascinating chord changes \/ forms in jazz music. I reharmonized the changes with the chords used in Japanese traditional music and wrote the melody with a Japanese minor scale called &#8220;In-sen,&#8221; which literally translates to shadow scale.<\/p>\n<p class=\"wp-oembed\">3. The Dry Cleaner from Des Moines by Charles Mingus<br \/>\nI always loved the &#8220;Shadows and Light&#8221; version of this song.<br \/>\nA tribute to Jaco Pastorius, Charles Mingus, Michael Brecker, Don Alias, and Joni Mitchelle.<\/p>\n<p class=\"wp-oembed\">4. A Song for the One by Shingo Yuji<br \/>\nA simple folkie song harmonized with an influence from some of Debussy&#8217;s later works.<\/p>\n<p class=\"wp-oembed\">5. Improvisation and Variations of Itsuki Lullaby (Traditional song)<br \/>\nAs much as I love American culture, music and all of that, I have the same devotion interest in Japanese culture. This is a folk song that has been sung in my hometown.<br \/>\nThis is a tribute to Michio Miyagi, a master and virtuoso Japanese koto (harp) player, who wrote many variations of traditional folk songs.<\/p>\n<p class=\"wp-oembed\">6. Ame (Rain) &#8211; Interlude by Shingo Yuji<br \/>\nIt was raining so hard in LA on the recording day&#8230;.<\/p>\n<p class=\"wp-oembed\">7. Help by Lennon &#8211; McCartney<br \/>\nListening to Brad Mehldau&#8217;s version of &#8220;Blackbird&#8221; made me want to do an arrangement of a Beatles tune&#8230; So I did!!<\/p>\n<p class=\"wp-oembed\">8. Rash\u014dmon by Shingo Yuji<br \/>\nThis song was originally inspired by &#8220;Rash\u014dmon&#8221; written by Ryunosuke Akutagawa. While I was arranging it, I had the opportunity to also see the film version by Akira Kurosawa, and there, I learned about the &#8220;Rashomon Effect,&#8221; which is &#8220;the effect of the subjectivity of perception on recollection&#8221;. I wanted to express this in my piece, and so I decided on using different time meters and feel for the three instrumental parts on the last theme. I got a clue for this idea from Victor Wooten&#8217;s song called &#8220;2 Timers&#8221; which incorporates some really cool rhythmic modulations.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. Laputa by Shingo Yuji The oldest song on this<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-8503","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8503"}],"version-history":[{"count":3,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8503\/revisions"}],"predecessor-version":[{"id":8506,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8503\/revisions\/8506"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}