{"id":8224,"date":"2015-08-31T23:20:56","date_gmt":"2015-09-01T06:20:56","guid":{"rendered":"http:\/\/jazzusa.com\/?p=8224"},"modified":"2012-09-01T01:58:26","modified_gmt":"2012-09-01T08:58:26","slug":"dont-say-its-tony-adamo-and-the-headhunters","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=8224","title":{"rendered":"Don\u2019t Say It\u2019s Tony Adamo And The Headhunters"},"content":{"rendered":"<p>Mike Clark, legendary drummer and former member of Herbie Hancock\u2019s Headhunters band, can now add another name to his illustrious music career as the Funk Wizard of Manhattan. In addition to producing his new discovery, singer\/nu-hip spoken word artist <a href=\"http:\/\/www.allaboutjazz.com\/php\/jazzdownload.php?id=7362\">Tony Adamo<\/a>\u2018s CD, Clark brought in four members of the Headhunters \u2013 Bill Summers, percussion; Rob Dixon, horns; Richie Goods, Bass; Derrick Gardner, trumpet \u2013 to play and finish out the recording.<\/p>\n<p>Final mix day on Tony Adamo\u2019s <a href=\"http:\/\/www.strokeland.com\/StrokelandJazz\/TonyAdamo\/WhatIsHip\/WhatIsHip.htm\">new CD<\/a> is in late July 2012. Mike Clark producing Tim Ouimette mixing and pushing buttons. It is a really new concept\u2013Oakland Funk and New York throw-down meets vocal\/hip spoken word.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mike Clark, legendary drummer and former member of Herbie Hancock\u2019s<\/p>\n","protected":false},"author":61,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-8224","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8224"}],"version-history":[{"count":5,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8224\/revisions"}],"predecessor-version":[{"id":8438,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/8224\/revisions\/8438"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}