{"id":5355,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/george-benson-irreplaceable\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"george-benson-irreplaceable","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=5355","title":{"rendered":"George Benson &#8211; Irreplaceable"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/irreplacable.jpg\" hspace=\"4\" vspace=\"4\" alt=\"George Benson\" border=\"1\" align=\"right\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>George Benson<\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:18px\" color=\"Blue\" face=\"Verdana, Helvetica\">  <strong>Irreplaceable<\/strong><\/font><font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"><br \/>(GRP &#8211; 2004)<br \/> by Ricky Miller<\/p>\n<p><\/font>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\">  Boy, is George gonna catch some flack for this one. Although that famous guitar \/ vocal combination is still there, there&#8217;s a LOT more of the vocal part. The feel of this release is a cross between Benson and the stylings of your 90&#8217;s vocal R&amp;B group. George has always been innovative, and this time I think he&#8217;s seeking the <\/p>\n<table align=\"left\" cellpadding=\"4\" cellspacing=\"1\" width=\"50\" bgcolor=\"maroon\">\n<tr>\n<td align=\"center\" bgcolor=\"eeeedd\"><font size=\"1\" style=\"font-face:arial; font-size:10px\" color=\"maroon\">Listen to <b>Take You Out<\/b> using <i><a href=\"http:\/\/real.com\" target=\"_blank\">RealAudio<\/a><\/i>.<\/font><br \/><embed src=\"audio\/takeyouout.ram\" type=\"audio\/x-pn-realaudio-plugin\" height=\"44\" width=\"125\" console=\"mysound12\" controls=\"ControlPanel,StatusBar\"\/><\/td>\n<\/tr>\n<\/table>\n<p>same objective as other jazz\/R&amp;B collaborations, but with a different slant. Note that there are <i>no original Benson compositions<\/i> on the CD, <i>&#8217;nuff said<\/i> about that. Although the heavily pushed single is probably going to be <i>Cell Phone<\/i>, I like the moody <i>Black Rose<\/i> featuring <b>Joshua P. Thompson<\/b>, on guitar, who also penned this track (with Hip Hop veteran <b>Joe<\/b>) featuring sweet background harmonies by Benson and <b>Hasan Smith<\/b>. <\/p>\n<p>  My next three choices on the CD are <i>Arizona Sunrise<\/i> and <i>Softly as in a Morning Sunrise<\/i> both remixed by smooth jazz master <b>Paul Brown<\/b> and <i>Take You out<\/i>; all three tracks are well written, well performed and <u> Instrumental<\/u>. If there were a few more <i>guest vocalists<\/i> like <i>Will Downing<\/i> or <i>Phil Perry<\/i>, even a little taste of a real R&amp;B vocalist like <i>Brian McKnight<\/i> performing lead on many of the tracks you&#8217;ve got a better CD here. <\/p>\n<p>  Verve smartly brought in heavy smooth-jazz hitters <b>Rex Rideout<\/b> and <b>Paul Brown<\/b> to do a final mix on this CD before releasing it to insure that it had enough of a jazz flavor, otherwise this might have been relegated to the R&amp;B bin at the store&#8230; and on the airwaves. <i>Take You Out<\/i> with accompanying keyboards from Rideout captures some of the zest and flavour of the Benson of yore, and there are some hellacious riffs on <i>Missing You<\/i> that prove there is life left in the king of the Masquerade.  Three stars.<br \/><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>George Benson Irreplaceable(GRP &#8211; 2004) by Ricky Miller Boy, is<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5355","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/5355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5355"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/5355\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}