{"id":5069,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/mose-allison-live-at-scullers\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"mose-allison-live-at-scullers","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=5069","title":{"rendered":"Mose Allison Live at Scullers"},"content":{"rendered":"<table align=\"right\">\n<tr>\n<td align=\"center\"><font size=\"1\" face=\"verdana\"><img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/moseAllison.jpg\"\/><br \/>Mose Allison<\/font><\/td>\n<\/tr>\n<\/table>\n<p><strong><font size=\"4\" color=\"Blue\" face=\"Verdana, Helvetica\" style=\"font-size:18px\">Mose Allison<br \/><font size=\"3\"> Live at Scullers<\/font><\/font><br \/><font size=\"2\" face=\"Verdana, Arial, Helvetica, sans-serif\" color=\"blue\" style=\"font-size:10px\">Boston \u0096 October 22, 2005<\/font><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:11px\">     by Matthew S. Robinson<\/p>\n<p><\/font><\/strong><font size=\"2\" face=\"Verdana, Arial, Helvetica, sans-serif\">There were few better places to be for the weekend of the famed Head of the Charles Regatta than the award-winning Scullers Jazz Club (<a href=\"http:\/\/www.scullerjazz.com\" target=\"_blank\">www.scullerjazz.com<\/a>), overlooking the Charles River where said race takes place while listening to the contemporary timelessness of Mississippi sage Mose Allison.  <\/p>\n<p>From the swagger of &#8216;Fools Paradise&#8217; to the bassy bounce of  &#8216;Look What You Made Me Do,&#8217; Allison worked his dipping baritone and firmly tinkling fingers through a near nonstop jukebox of hip and insightful tunes, showing time and again that there is a heckuvalot more to write about than just love. In addition to the Randy Newman-esque &#8216;Ever Since the<\/p>\n<p>  World Ended&#8217; and Gov. Jimmy Davis&#8217; &#8216;You Are My Sunshine,&#8217; Allison also offered a paced run through John Loudermilk&#8217;s &#8216;You Call It Jogging&#8217; and a cool and breezy stroll around George Perlman&#8217;s &#8216;Indian Summer.&#8217; &#8216;Everybody&#8217;s Crying Mercy&#8217; was as pertinent as ever and<\/p>\n<p>  &#8216;Your Molecular Structure&#8217; may have been all the more appropriate considering that MIT was an oarstroke away. In any case, Allison offered something for everyone in his multi-generational audience. In fact, despite the fact that his rhythm section was made up of what the septugenarian Southern gentleman might call &#8216;yung&#8217;uns,&#8217; this cleverly self-proclaimed &#8216;Certified Senior Citizen&#8217; left them half a beat behind time after time, showing that he has not lost a lick of timing over the course of his long and storied career.      <\/p>\n<p><font size=\"1\" face=\"arial\">C. 2005 M. S. Robinson ARR<\/font>   <\/font>  <\/p>\n<hr size=\"1\" color=\"maroon\"\/><font size=\"2\" face=\"Verdana, Arial, Helvetica, sans-serif\"><strong>  <cfinclude template=\"adbanner.asp\"\/><\/strong><\/font>  <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mose Allison Mose Allison Live at ScullersBoston \u0096 October 22,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5069","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/5069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5069"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/5069\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}