{"id":5055,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/dewey-redman-cecil-taylor-elvin-jones-momentum-space\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"dewey-redman-cecil-taylor-elvin-jones-momentum-space","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=5055","title":{"rendered":"Dewey Redman \/ Cecil Taylor \/ Elvin Jones &#8211; Momentum Space"},"content":{"rendered":"<p><b><font color=\"#000000\">    <\/p>\n<p\/><\/font><font face=\"Verdana\" size=\"3\" style=\"font-face:verdana; font-size:12pt\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/momentumspace.jpg\" width=\"100\" height=\"100\" alt=\"momentumspace.jpg (1722 bytes)\" align=\"right\"\/><\/font><font color=\"#0000FF\" face=\"Verdana\" size=\"3\" style=\"font-face:verdana; font-size:12pt\">Dewey Redman<\/font><font color=\"#0000FF\"><font size=\"3\" style=\"font-face:verdana; font-size:12pt\"><font face=\"Verdana\"> <\/font><\/font><font face=\"Verdana\" size=\"3\" style=\"font-face:verdana; font-size:12pt\">\/<\/font><\/font><font face=\"Verdana\" size=\"3\" color=\"#0000FF\"> Cecil Taylor \/ Elvin Jones<\/font><\/b><font face=\"Verdana\" size=\"-1\" color=\"#0000FF\"><br \/><\/font><font face=\"Verdana\" color=\"#0000FF\" size=\"2\" style=\"font-face:verdana; font-size:10pt\">Momentum Space <\/font><font size=\"-1\" color=\"#000000\"><font size=\"-1\" face=\"Verdana\" color=\"#000000\"><br \/><\/font><font face=\"Verdana, Helvetica\" size=\"2\" color=\"#000000\"><img loading=\"lazy\" decoding=\"async\" height=\"8\" src=\"..\/@prep\/.gif\" width=\"4\"\/><\/font><font size=\"-1\" face=\"Verdana\" color=\"#000000\">Verve<\/font>    <\/p>\n<p\/><\/font><font face=\"Verdana\" size=\"2\" color=\"#000000\">Three giants of improvised music  came together for the first time in August of 1998 in New York City to record this  extraordinary studio session. Momentum Space, commissioned by The Creative Music  Institute, is a collection of trios, duets, and solos, that creates a powerful musical  statement. <\/font>    <\/p>\n<p><font face=\"Verdana\" size=\"2\" color=\"#000000\">The individual resumes of these leaders  serve as bookmarks for key chapters in the history of modern jazz: Dewey Redman has been  an integral part of two seminal groups, the Ornette Coleman quartet featuring Don Cherry,  Charlie Haden, and Billy Higgins, plus the Keith Jarrett ensemble of the 70&#8217;s, with  bassist Haden and drummer Paul Motian. Cecil Taylor has simply written his own book  throughout his trailblazing career as one of the most unique piano stylists in 20th  century music. Elvin Jones, primarily known as the driving rhythmic force in the great  John Coltrane quartet with McCoy Tyner and Jimmy Garrison, is also unquestionably one of  the most influential percussionists of all time. <\/font><\/p>\n<p><font face=\"Verdana\" size=\"2\" color=\"#000000\">The music on Momentum Space, though  admittedly not for the casual listener, is ripe with buoyant and accessible passages, that  will surprise and delight those who take the journey.<\/font><\/p>\n<p align=\"center\"><cfinclude template=\"adbanner.asp\"\/><\/p>\n<p align=\"center\">\n<p>  <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dewey Redman \/ Cecil Taylor \/ Elvin JonesMomentum Space Verve<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5055","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/5055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5055"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/5055\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}