{"id":4989,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/delandria-mills-manifestation\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"delandria-mills-manifestation","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4989","title":{"rendered":"Delandria Mills &#8211; Manifestation"},"content":{"rendered":"<table width=\"100%\" cellpadding=\"5\">\n<tr>\n<td valign=\"top\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/manifestation.jpg\" align=\"right\" border=\"1\" hspace=\"4\" \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Delandria Mills<\/strong><\/font><br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>Manifestation<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" color=\"000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\">  DemiMusic &#8211; 2009<br \/><a href=\"http:\/\/www.eurweb.com\" target=\"_blank\">Eunice Moseley &#8211; EURweb<\/a><\/p>\n<p><font size=\"2\" style=\"font-family:verdana; font-size:13px\" face=\"Verdana, Helvetica\"><\/p>\n<p>Jazz flautist Delandria Mills releases a Gospel\/Inspirational album on Tehillah Entertainment titled &#8220;Manifestation.&#8221; The thirteen track CD also includes the vocals of this talented musician\/songwriter. <\/p>\n<p>&#8220;I didn&#8217;t intend to be a jazz artist, but a Christian artist,&#8221; Delandria said about crossing over from Jazz to Gospel. &#8220;I grew up in the church&#8230;For years I wanted to play with a lot of different artists. I don&#8217;t play with nothing that doesn&#8217;t have a message or uplifting message.&#8221;<\/p>\n<p>Mills is also a member of Tye Tribbett&#8217;s backing band, Soundcheck. A native of Houston, Texas Delandria holds a bachelors of arts from\u00a0 Prairie View A&amp;M University and a masters in music at the Peabody Conservatory of Music. Her studies and her music have taken her all over the country.<\/p>\n<p>&#8220;Tye heard me play in church,&#8221; Mills said about how you became a member of the band for one of today&#8217;s hottest Contemporary Gospel artists. &#8220;He remembered me.&#8221;<\/p>\n<p>Delandria said that when she plays, she is always trying to please God in how she plays. Just listening to &#8220;Manifestation&#8221; I know God would be very proud . The emotional, joyous, and praise and worship album is a testament to her ability to make a instrumental song sound like Gospel.<\/p>\n<p>&#8220;You&#8217;re thinking about the chords&#8230;staying true to the song, whatever the title is,&#8221;\u00a0 Delandria explains about the makings of a Gospel instrumental.<\/p>\n<p>The message of God&#8217;s Gospel is delievered when their instruments sing and uplift the notes. Amongst the 13 tracks include my favorites on the CD &#8220;Forever and Ever,&#8221; with its James Bond type delivery and feel; &#8220;Almighty God,&#8221; that gives me the mental image of\u00a0 leaves flying on the winds of God, &#8220;Rauha (Peace),&#8221; and &#8220;Love Song,&#8221; which includes the unbelievable vocals of this flute player.<\/p>\n<p>&#8220;As an instrumentalist I don&#8217;t have to do things over. (Using my) Vocals I work harder,&#8221;\u00a0 Delandria laughed a bit when discribing the difference in blowing her flute and singing.<\/p>\n<p>\u00a0For more on Delandria Mills or the &#8220;Manifestation&#8221; CD log onto <a href=\"http:\/\/www.delandriamills.com\/\">www.DelandriaMills.com<\/a> or <a href=\"http:\/\/www.tehillahenterprisespr.com\/\">www.TehillahEnterprisesPR.com<\/a>.\u00a0 <\/p>\n<p><font><br \/><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/font><\/font><\/td>\n<\/tr>\n<\/table>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Delandria MillsManifestation DemiMusic &#8211; 2009Eunice Moseley &#8211; EURweb Jazz flautist<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4989","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4989"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4989\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}