{"id":4972,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/kenny-burrell\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"kenny-burrell","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4972","title":{"rendered":"Kenny Burrell"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" align=\"right\" alt=\"Kenny Burrell\" height=\"140\" hspace=\"4\" src=\"https:\/\/jazzusa.com\/storypix\/luckysoandso.jpg\" vspace=\"2\" width=\"140\" border=\"1\"\/><font color=\"#0000ff\" face=\"Verdana\" size=\"2\" style=\"font-face:verdana; font-size:10pt\">Lucky So-And-So<br \/><\/font>  <font color=\"#0000ff\" face=\"Verdana\" size=\"4\">Kenny Burrell<br \/><\/font>  <font face=\"Verdana\" size=\"1\">(Concord &#8211; 2001)<br \/> by Dick Bogle<\/font><\/p>\n<p><font face=\"Verdana\" size=\"2\">Kenny Burrell is an acknowledged master of his instrument, the guitar. And, this release, the latest of hundreds, proves his career is ongoing in fine style. Working with Onaje Allan Gumbs on keyboards, bassist Rufus Reid and drummer Akira Tana, Burrell lends his mastery to six very familiar tunes and four others deserving wider listening. He delights with his vocal on Ira Gershwin&#8217;s and Kurt Weill&#8217;s &#8220;My Ship.&#8221;<\/p>\n<p>    &#8220;Tenderly&#8221; begins as one might expect, gentle and slow, but when his bandmates kick in, there is a significant time change and Burrell is off to the races. Some of the other tunes are: &#8220;I&#8217;m Glad There Is You,&#8221; &#8220;Lucky So And So,&#8221; &#8220;The Feeling of Jazz,&#8221; &#8221; Squeeze Me,&#8221; and &#8220;In A Sentimental Mood.&#8221;      <\/p>\n<p><font size=\"1\" face=\"verdana\">Reprinted with kind permission of <a href=\"http:\/\/www.theskanner.com\" target=\"_blank\">The Skanner<\/a>.<\/font><br \/><\/font><\/p>\n<p align=\"center\"><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:8pt\"><cfinclude template=\"adbanner.asp\"\/><\/font><\/p>\n<p align=\"center\">\n<p>  <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lucky So-And-So Kenny Burrell (Concord &#8211; 2001) by Dick Bogle<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4972","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4972"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4972\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}