{"id":4960,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/chet-baker-love-for-sale\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"chet-baker-love-for-sale","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4960","title":{"rendered":"Chet Baker &#8211; Love For Sale"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/loveforsale.jpg\" align=\"Right\" border=\"2\" vspace=\"0\" width=\"150\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:18px\"><strong>Chet Baker<br \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\">Love For Sale<\/font><\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:11px\">(Just a Memory\/Justin Time &#8211; 2005)  <br \/> by Matthew S. Robinson<\/p>\n<p><\/font>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\" color=\"#000000\">  Though recorded during the &#8216;back nine&#8217; of Chet Baker&#8217;s tragic career, this hazy club date recording captures glints of the singing trumpeter&#8217;s former brilliance. Swinging from a bebop cover of Miles Davis&#8217; &#8220;Milestones&#8221; to a punchy and adventurous  exploration of Cole Porter&#8217;s &#8220;Love for Sale,&#8221; Baker pushes valiantly to regain his former chops. When he finds himself unable, Baker graciously yields to pianist Phil Markowitz and his talented group of supporters (which includes saxophonist Roger Rosenberg, bassist Jon Burr, and drummer Jeff Brillinger) or parts his award-winning lips to release his unmistakably sad and tremulously inviting voice.   <\/p>\n<table align=\"right\" bgcolor=\"brown\" cellspacing=\"1\" cellpadding=\"3\">\n<tr>\n<td nowrap=\"\" align=\"center\"><font color=\"white\" style=\"font-size:11px\">Listen To <strong>Milestones<\/strong><\/font><br \/><!-- Real media embedding code --><!-- This object\/embed pair contains the playback information --><object id=\"RVOCX\" classid=\"clsid:CFCDAA03-8BE4-11CF-B84B-0020AFBBCCFA\" width=\"110\" height=\"20\"><param name=\"controls\" value=\"ControlPanel\"\/><param name=\"console\" value=\"audio\"\/><embed src=\"audio\/milestones.rm?embed\" type=\"audio\/x-pn-realaudio-plugin\" controls=\"ControlPanel\" width=\"110\" height=\"20\" nojava=\"true\" console=\"audio\"\/><\/object> <\/td>\n<\/tr>\n<\/table>\n<p>  Reworked favorites &#8220;Oh,You Crazy Moon&#8221; and &#8220;There Will Never Be Another You&#8221; may be a fitting pair of vocal expressions for this distinctive artist who rose and fell with such velocity that even today, his legacy is shrouded in mystery. In any case, this live fits as well in the record label&#8217;s &#8220;collector&#8217;s classic&#8221; series as it does in any Baker fan or Jazz fan&#8217;s library.      <\/p>\n<p><font size=\"1\">c. 2005, M. S. Robinson, ARR<\/font>    <\/font>          <cfinclude template=\"adbanner.asp\"><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/cfinclude><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chet BakerLove For Sale(Just a Memory\/Justin Time &#8211; 2005) by<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4960","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4960"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4960\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}