{"id":4932,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/mel-brown\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"mel-brown","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4932","title":{"rendered":"Mel Brown"},"content":{"rendered":"<p><b><font face=\"Verdana, Helvetica\" size=\"4\" color=\"Blue\">    <\/p>\n<p align=\"left\">Mel Brown<\/p>\n<p><\/font><font face=\"Verdana, Helvetica\" color=\"Blue\" size=\"3\" style=\"font-face:verdana; font-size:12pt\">Live at Jimmky Mak&#8217;s<\/font><\/b><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\">    <\/p>\n<p align=\"left\">Mel Brown is one of the most versatile and skilled drummers in the world.  With a resume that includes tours with the likes of The Supremes,  The Temptations, Diana Ross and Teddy Edwards; recordings with the likes  of The Beatles; Marvin Gaye, and Leroy Vinnegar; Brown continues to work 6  nights a week in Portland. Brown leads such diverse bands as a hard?bop  sextet on Tuesday nights to live D.J. acid jazz on Wednesdays.  <\/p>\n<p>  With the quintet, Mel has made Thursday nights at Jimmy Mak&#8217;s one of the most exciting atmospheres in the northwest. The c.d. is over 70 minutes (a typical set on Thursdays) and completely captures the high?octane energy and power that this &#8220;motown?hammond B?3&#8221; influenced band showcases. Northwest music fans have been waiting for this for a long time.  <br \/><b>PLAYERS<\/b>  <b>Mel Brown<\/b>-Drums<br \/><b>Thara Memory<\/b>-Trumpet<br \/><b>Renato Caranto<\/b>-Saxophone<br \/><b>Dan Faehnley<\/b>-Guitar<br \/><b>Louis Pain<\/b>-Organ<\/p>\n<p>      <\/font><center>      <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/center><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mel Brown Live at Jimmky Mak&#8217;s Mel Brown is one<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4932","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4932"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4932\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}