{"id":4912,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/dane-vannatter-live-scullers\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"dane-vannatter-live-scullers","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4912","title":{"rendered":"Dane Vannatter &#8211; Live @ Scullers"},"content":{"rendered":"<table width=\"100%\" cellpadding=\"5\">\n<tr>\n<td valign=\"top\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/Dane_Vannatter.jpg\" align=\"right\" border=\"1\" hspace=\"4\" \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Dane Vannatter<\/strong><\/font><br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>Live @ Scullers<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" color=\"000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\">  Boston, MA &#8211; September 23, 2008<br \/>Matt S. Robinson<\/p>\n<p><font size=\"2\" style=\"font-family:verdana; font-size:13px\" face=\"Verdana, Helvetica\"><\/p>\n<p style=\"MARGIN: 0in 0.25in 0pt 0in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\">Combining some of his acclaimed tribute to Tony Bennett with more of his hometown favorites, award-winning vocalist Dane Vannatter wowed the crowd at Boston&#8217;s best Jazz club. <\/p>\n<p style=\"MARGIN: 0in 0.25in 0pt 0in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\">\u00a0<\/p>\n<p style=\"MARGIN: 0in 0.25in 0pt 0in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\">With the help of his snappy and bright trio, Vannatter used helpful hints (e.g., bite your tongue when your mouth is dry), random thoughts (Sarah Palin, pandas, etc.), and admittedly &#8220;long-winded&#8221; patter (including a few &#8220;shout outs&#8221; to such famed fellow Hoosiers as Hoagy Carmichael) to segue among such hits as a chill-inducing &#8220;Just Squeeze Me,&#8221; a sweet and flowery &#8220;Honeysuckle Rose,&#8221; an introspective and torentially-climaxed &#8220;Here&#8217;s To Life&#8221; that had fans calling for a reprise, and a rendition of &#8220;But Beautiful&#8221; that truly was. <\/p>\n<p style=\"MARGIN: 0in 0.25in 0pt 0in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\">\u00a0<\/p>\n<p style=\"MARGIN: 0in 0.25in 0pt 0in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\">Taking tunes from Bennett&#8217;s inspirational <em>Alone Together,<\/em> Vannatter offered a version of &#8220;Chasing Rainbows&#8221; that was rooted in earthy bass and a p[ianistic take on &#8220;It&#8217;s Magic&#8221; that twinkled and sparkled. <\/p>\n<p style=\"MARGIN: 0in 0.25in 0pt 0in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\">\u00a0<\/p>\n<p style=\"MARGIN: 0in 0.25in 0pt 0in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\">The Samba-d &#8220;Out of This World&#8221; got Dane dancing and a paced &#8220;After You&#8217;ve Gone&#8221; left the band (and a few of the fans) toweling off.\u00a0 All in all, it was a fun and breezy show by one of Boston&#8217;s best interpreters.<\/p>\n<p style=\"MARGIN: 0in 0.25in 0pt 0in; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\">\u00a0<\/p>\n<p><font><br \/><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/font><\/font><\/td>\n<\/tr>\n<\/table>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dane VannatterLive @ Scullers Boston, MA &#8211; September 23, 2008Matt<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4912","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4912"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4912\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}