{"id":4908,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/live-will-downing-interview-112007\/"},"modified":"2018-10-26T09:20:30","modified_gmt":"2018-10-26T16:20:30","slug":"live-will-downing-interview-112007","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4908","title":{"rendered":"Live – Will Downing Interview – 11\/2007"},"content":{"rendered":"
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Will Downing<\/strong><\/font> – Back In The Groove<\/strong><\/font>
Most people know that for nearly two decades Will Downing has been laying down an ultra smooth sound, first as a backup singer (for almost everyone in the business) then later as a solo artist. What they don’t<\/em> know is that in January 2007 the smooth crooner came down with Polymyositis<\/em>, a debilitating disease that <\/p>\n\n\n

Visit Will Downing’s web site<\/u>.<\/a><\/font><\/td>\n<\/tr>\n<\/table>\n

took away his ability to function on his own. His new album After Tonight<\/em><\/u><\/a> was primarily recorded from a wheelchair at home. This is Will Downing’s 13th album as a solo artist, and I think it may be one of his best. Will called to update us on his progress, his new CD and his future. by S.H. Watkins, Sr.
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Will Downing – Back In The Groove Most people know<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-4908","post","type-post","status-publish","format-standard","hentry","category-interviews"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4908"}],"version-history":[{"count":1,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4908\/revisions"}],"predecessor-version":[{"id":11203,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4908\/revisions\/11203"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}