{"id":4819,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/nick-colionne-just-come-on-in\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"nick-colionne-just-come-on-in","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4819","title":{"rendered":"Nick Colionne &#8211;  Just Come On In"},"content":{"rendered":"<div align=\"right\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/justcomeonin.jpg\" hspace=\"4\" vspace=\"4\" alt=\"Nick Colionne\" border=\"1\" align=\"right\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Nick Colionne<\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:18px\" color=\"Blue\" face=\"Verdana, Helvetica\">  <strong>Just Come On In<\/strong><\/font><font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:10px\"><br \/>(Three Keys Music &#8211; 2003)<br \/> by Ray Redmond<\/p>\n<p><\/font><\/div>\n<p>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\">        Nick Colionne has been kickin&#8217; his guitar licks and building a following in the Chicago area for quite a while now. I once had someone visiting from <i>Atlanta<\/i> have me listen to this great CD she had with her, and it turned out to be Nick&#8217;s 1996 release <i>Arrival<\/i>&#8230; fancy that.  With the coming of his new CD on <i>Three Keys<\/i> he&#8217;s ready to take it national&#8230; if not international. <b>High Flyin&#8217;<\/b> starts it off in style with a moderate tempo and some classy finger work, this one is very radio friendly. <b>It&#8217;s been too long<\/b> is another rolling jam driven by Colionne&#8217;s guitar frenetics. <b>From the Wes Side<\/b> is a tribute that captures the essence and style of the late <i>Wes Montgomery<\/i> to a tee! This must have been one of Colionne&#8217;s idols&#8230; you can feel the emotion in the presentation. This and the very funky, organ infested <b>2 B D<\/b> are my own two favorites. <\/p>\n<p>  The ballad <b>Is it a Dream <\/b>jumps over to the R&amp;B side a little and features some very nice nice vocal work. Then <b>Do You Love Me<\/b> jumps right back over that fence, this one is smooth jazz to the core with some good keyboard accompaniment to Colionne&#8217;s flying fingers. <b>Downtown<\/b> has a more up tempo pulse with an ambience of percussion, feels a bit like <i>Benson<\/i> playing with <i>Was Not Was<\/i>, a little different but it worked for me.  <\/p>\n<p>  There is a rendition of the classic <b>My Favorite Things<\/b> that really shines on this CD. Tackling one of the classics gives us a chance to hear how well Nick can hack his axe. He layers his unique style atop some strong back up and gives the listener a new view of a great tune. Then he does it again on the bonus track <b>Hurry Up This Way Again<\/b>, taking a familiar song and recooking it using his own spices and flavors to create it anew. I&#8217;m not sure why it&#8217;s taken Nick Colionne so long to get some national attention, but if guys like <i>Steve Oliver<\/i> and Nick&#8217;s new Three Keys label mate <i>Michael Lington<\/i> are getting the notice (deservedly), then Colionne should be right there. His skills are at least as good and he&#8217;s got that flair that sets him apart from those that are merely talented.  Get the CD, see for yourself.              <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nick Colionne Just Come On In(Three Keys Music &#8211; 2003)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4819","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4819"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4819\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}