{"id":4798,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/jungle-funk\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"jungle-funk","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4798","title":{"rendered":"Jungle Funk"},"content":{"rendered":"<p align=\"left\"><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/junglefunk.jpg\" alt=\"Jungle Funk\" hspace=\"4\" vspace=\"2\" align=\"left\" width=\"142\" height=\"142\"\/><\/font><font face=\"Verdana, Helvetica\" size=\"4\" color=\"Blue\">Jungle Funk<\/font><br \/><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\"><\/font><font color=\"#000000\" size=\"1\" face=\"Verdana, Helvetica\"> by Raymond Redmond<\/font><font size=\"2\" style=\"font-face:verdana; font-size:10pt\"\/><\/p>\n<p align=\"left\"><font face=\"Verdana, Helvetica\" size=\"2\" color=\"#400000\">Just exactly what  is <strong>Jungle\/Jazz<\/strong>? Take a liberal dose of Jazz vocals, add the driving drum  and bass grooves most often found in the World\/Beat\/Jazz arena, toss in the occasional  influence from the rock world and you&#8217;re there. Listening to Jungle funk is truly an  experience waiting to be had. <\/font><\/p>\n<p align=\"left\"><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\"><font color=\"#400000\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/junglefunkartists.jpg\" alt=\"Jungle Funk\" hspace=\"4\" vspace=\"2\" align=\"right\" width=\"144\" height=\"102\"\/>But, is it <em>Jazz<\/em>? The same question has been asked about GURU or Jazzhole or Quincy Jones performing <strong>Acid\/Jazz <\/strong>or some of the old stuff by Sun Ra or Pharaoh Sanders.<\/font>\u00a0 <\/font><\/p>\n<p align=\"left\"><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\">Drummer <em>Will Calhoun<\/em>,  formerly of Living Color, has played with such jazz notables as Jaco Pastorious, Horace  Arnold, Jack DeJohnette and Wayne Shorter as well as Pharaoh Sanders. Joined by Doug  Wimbish, also formerly of Living Color and world music drummer\/vocalist Vinx, <em>Jungle  Funk<\/em> often strays over the conventional lines drawn between the Jazz, Rock and World  Music arenas, but (important point) the tracks are <em>improvisational<\/em> and <em>creative<\/em>.  <\/font><\/p>\n<p align=\"left\"><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\">Not that it&#8217;s improvisational  character automatically earns it entry to the &#8216;Jazz&#8217; world, but taken in context with the  often ethereal percussion and the jazzy, harmonic vocals you&#8217;ve got a strong case. Some  people (that I know personally, even) try to argue that this may not even be jazz. Six  years ago those same people thought that Acid\/Jazz was a passing fad and twenty years ago  they thought that Leon Thomas just liked to <em>Yodel<\/em>.\u00a0 <\/p>\n<p>Sure, there are obvious rock influences. Yes, some of the percussions are actually (heaven forbid) LOOPS!, but it has a esoteric kind of jazzy flavor as well. Jungle\/Jazz may persists in it&#8217;s current form, it may (more likely) evolves into something slightly different, as did Acid\/Jazz. Is it Jazz? Listen to <b>Jungle Funk<\/b> and judge for yourself.<\/font><\/p>\n<p align=\"center\"><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\">For more on Jungle Funk visit the  <strong><a href=\"http:\/\/www.zebradisc.com\">Zebra Records Website<\/a><\/strong><\/font><\/p>\n<p>                    <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jungle Funk by Raymond Redmond Just exactly what is Jungle\/Jazz?<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4798","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4798"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4798\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}