{"id":4734,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/putamayo-presents-jazz-around-the-world\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"putamayo-presents-jazz-around-the-world","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4734","title":{"rendered":"Putamayo Presents &#8211; Jazz Around The World"},"content":{"rendered":"<table width=\"100%\" cellpadding=\"5\">\n<tr>\n<td valign=\"top\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/Putumayo_Presents_Jazz_Around_the_World.jpg\" align=\"right\" border=\"1\" hspace=\"4\" \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Putamayo Presents<\/strong><\/font><br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>Jazz Around The World<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" color=\"000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"> Putamayo &#8211; 2009<\/p>\n<p><font size=\"2\" style=\"font-family:verdana; font-size:13px\" face=\"Verdana, Helvetica\"><\/p>\n<p>The fascinating global journey of jazz is one of music&#8217;s most remarkable stories. Putumayo&#8217;s newest release, Jazz Around the World, showcases the powerful influence of jazz on musicians across the globe. Featuring both well-established and newer artists performing extraordinary covers and originals, this collection incorporates a wide range of rhythms, instruments and melodies into a constantly evolving genre. With ancestral roots in Africa, jazz flowered into a dynamic force in the United States throughout the 20th century. And, over the years, it has borrowed from, influenced and blended with musical traditions around the world.<\/p>\n<p>On Jazz Around the World,Texas-raised Heather Rigdon delivers a sophisticated performance on &#8220;Young and Naive&#8221; which has drawn comparisons to the music of Norah Jones and Diana Kral!. Quebecois chanteuse Chantal Chamberland&#8217;s retro-sounding interpretation of &#8220;La Mer&#8221; (the French predecessor of the Bobby Darin classic &#8220;Beyond the Sea&#8221;) sounds familiar yet original.<\/p>\n<p>On &#8220;Quiereme Mucho,&#8221; Paris-based Niuver blends the trova music of her native Cuba with jazz and Brazilian bossy nova. Famed South African trumpeter and fusion master Hugh Maselcela offers an uplifting performance on &#8220;Open the Door,&#8221; effortlessly complemented by the beautiful voice of songstress Malaika.<\/p>\n<p>The Kora Jazz Trio and Malian Keletigui Diabate, master of the balafon (an African marimba), both contribute exceptional reworkings of classic songs. The Kora Jazz Trio offers a soulful version of the Cuban standard &#8220;Chan Chan&#8221; while Diabate, (with Habib Koite &amp; Bamada) gives an African twist to George Gershwin&#8217;s &#8220;Summertime?&#8217; The album also features outstanding tracks by Cameroonian singer Blick Bassy, jazz fusion drummer Billy Cobham with Asere, New Zealand Maori musician Kataraina Pipi, Guadalajaran multicultural quartet Sherele and Spanish\/Algerian singer Kad.<\/p>\n<p><font><br \/><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/font><\/font><\/td>\n<\/tr>\n<\/table>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Putamayo PresentsJazz Around The World Putamayo &#8211; 2009 The fascinating<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4734","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4734"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4734\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}