{"id":4706,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/spyro-gyra-in-modern-times\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"spyro-gyra-in-modern-times","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4706","title":{"rendered":"Spyro Gyra &#8211; In Modern Times"},"content":{"rendered":"<p align=\"Left\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/inmoderntimes.jpg\" alt=\"InModern Times\" align=\"left\" hspace=\"8\" vspace=\"5\" width=\"150\"\/><font size=\"2\" color=\"Blue\" face=\"Verdana\">In Modern Times<\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:14pt\" color=\"Blue\" face=\"Verdana, Helvetica\">  Spyro Gyra <br \/><\/font>  <font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\">(Heads Up &#8211; 2001)<br \/> by Ray Redmond  <\/font><\/p>\n<p><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" face=\"Verdana, Helvetica\">I&#8217;ve seen <b>Spyro Gyra<\/b> go through a lot of changes over the years, yet there always remains that <i>something<\/i> that makes them sound like Spyro Gyra (<i>&#8216;something&#8217;<\/i> is probably eternal band leader <b>Jay Beckenstein<\/b>). This time around it is apparent that they are searching for some new directions for their trademark sound.  The CD starts off with <i>Julio&#8217;s Party<\/i>, <i>Feelin&#8217; Fine<\/i> and <i>After hours<\/i>, all of which are crafted in the classic Spyro Gyra mold&#8230;. smooth horns, crisp bass lines and tight performances. <i>Feelin &#8216; Fine<\/i> has a distinctive &#8216;Spyro-on-the-Island&#8217; feel to it. Then you get <i>the River Between<\/i>, a mellow <i>Clark-esque<\/i> piece that features bassist <b>Scott Ambush<\/b> in the lead role.<\/p>\n<p><i>Groovin for Grover<\/i> was written with Grover Washington in mind, and it definitely captures the style of the late saxman. <i>Open Door<\/i> is a flowing, uptempo piece featuring the stylings of guitarist <b>Julio Fernandez<\/b> (keep an eye out for him in the future). <i>Florida Straits<\/i> is a bouncy-good Afro-Cuban melody. Sounding more like something from <i>Caribbean Jazz Project<\/i>, this tune would have been even better had they gotten former band-member <i>Dave Samuels<\/i> to join them with his Vibes. Julio Fernandez again takes the lead with guitar work that would make Carlos Santana proud.<\/p>\n<p><i>East River Blue<\/i> jumps onto the blues train, B3-wailing and sweating all through, with some interesting jazz changes thrown in. <i>Your Touch<\/i> slows it down a bit, aiming at the B&amp;B and New-Age Crossover markets&#8230; it&#8217;s an enjoyable but average (translate: good) Spyro Gyra piece. The CD finishes with <i>Lucky Bounce<\/i>, another of the better tracks.<\/p>\n<p>    All in all a good solid effort with some interesting new sounds from one my &#8216;old favorite&#8217; groups. Kudos to Beckenstein for realizing that (a) the &#8216;comfortable&#8217; sound is good, but it&#8217;s the &#8216;new&#8217; sounds that will bring in new listeners, and (b) giving more room to the other band members in both the compositional and performance arenas is the only way to grow. I still liked 20\/20 better, but <b>In Modern Times<\/b> is a welcome addition to my Spyro Gyra Collection.  <\/font><\/p>\n<p>  \t          <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Modern Times Spyro Gyra (Heads Up &#8211; 2001) by<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4706","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4706"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4706\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}