{"id":4690,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/joe-lovano-im-all-for-you\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"joe-lovano-im-all-for-you","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4690","title":{"rendered":"Joe Lovano &#8211; I&#8217;m All For You"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/imallforyou.jpg\" width=\"120\" alt=\"Joe Lovano\" align=\"left\" border=\"1\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Joe Lovano<\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:18px\" color=\"Blue\" face=\"Verdana, Helvetica\">  <strong>I&#8217;m All For You<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\">(Blue Note &#8211; 2004)<br \/> by Paula Edelstein<\/p>\n<p><\/font>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\" color=\"#000000\">  Joe Lovano&#8217;s musical ideas don&#8217;t stop coming as evidenced by the many accolades and awards he has earned over the years as a jazz saxophonist . Lovano has been a member of and performed with such great ensembles as the Mel Lewis Orchestra, the Woody Herman Orchestra, the Paul Motian Trio, Charlie Haden, Gonzalo Rubalcaba, and Dave Holland among others. <i>I&#8217;m All For You<\/i> is his 16th Blue Note record and it provides his listeners with a fresh perspective to such ballads as the title track, &#8220;Monk&#8217;s Mood,&#8221; &#8220;I Waited For You,&#8221; and &#8220;Early Autumn.&#8221; Joe is feeling all the possibilities in the rhythms, shows a different tenor attitude and approach to his sound and delivery and receiving excellent accompaniment from pianist Hank Jones, bassist George Mraz and drummer Paul Motian.<\/p>\n<p>   The set opens with &#8220;I&#8217;m All For You,&#8221; which Lovano has based on the harmonies of &#8220;Body and Soul.&#8221; &#8220;The Summary&#8221; is the middle section of &#8220;The Suite For Pops&#8221; &#8211; a composition Lovano often played with the Mel Lewis Orchestra. It focuses on the strong melodic content and leaves lots of room for the stellar improvisations. &#8220;I Waited For You,&#8221; has Joe blowing on the down low in burnished, haunting tones. The set closes with &#8220;Countdown,&#8221; a song that John Coltrane played at breakneck tempo. In contrast, Lovano offers his listeners a slower tempo and Hank Jones&#8217; conception of rhythm and harmony with Motian featured in open dialogue, trading with the tenor. Hank Jones and Paul Motian played in a quarter note feeling with George and Lovano improvising in a 12\/8 feel against that. This is definitely great music; music that shows growth, depth, range and is filled with deep emotional expression and passion.  <\/p>\n<p align=\"center\"> <font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:14px\">     <br \/>    Reprinted with permission of&#8230;<br \/><\/font><font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:14px\">     <a href=\"http:\/\/www.soundsoftimelessjazz.com\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/sotjlogo.gif\" width=\"540\" height=\"100\" border=\"0\"\/><\/a>     <\/font><\/p>\n<p>            <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joe Lovano I&#8217;m All For You(Blue Note &#8211; 2004) by<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4690","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4690"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4690\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4690"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4690"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}