{"id":4685,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/somi-if-the-rains-come-first\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"somi-if-the-rains-come-first","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4685","title":{"rendered":"Somi &#8211; If The Rains Come First"},"content":{"rendered":"<table width=\"100%\" cellpadding=\"5\">\n<tr>\n<td valign=\"top\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/If_the_Rains_Come_First.jpg\" align=\"left\" border=\"1\" hspace=\"4\" \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Somi<\/strong><\/font><br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>If The Rains Come First<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" color=\"000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"> ObliqSound &#8211; 2009<\/p>\n<p><font size=\"2\" style=\"font-family:verdana; font-size:13px\" face=\"Verdana, Helvetica\"><\/p>\n<p>When <strong>Somi<\/strong> was growing up, her mother told her that the rain, ever unpredictable, could be as much a blessing as a challenge. The blessings might come before the rain, or they could come after&#8211;it&#8217;s all in the timing, she said. That notion has stayed with the charismatic singer and songwriter all her life and now provides a metaphorical focus for her third album, <strong><em>If The Rains Come First<\/em><\/strong>. The album, which releases October 13 on ObliqSound, is a stunning collection of self-penned story-based songs, a meditation on opening ourselves up to life&#8217;s blessings and challenges much in the way that we accept the rain and all that it brings. <\/p>\n<p><em>If the Rains Come First<\/em> builds upon elements that first surfaced on Somi&#8217;s two previous recordings: the electric soul-jazz of 2003&#8217;s Eternal Motive (SanaaHouse) and the acoustic, culture-merging elegance of 2007&#8217;s multilingual <em>Red Soil in My Eyes<\/em> (World Village\/Harmonia Mundi). But her further evolution becomes immediately apparent as If the Rains Come First unfolds. Singing in English and three East African languages, Somi&#8217;s vocal delivery is subtle yet the power she exerts is enormous. \u00a0<\/p>\n<p>At the core of each of Somi&#8217;s highly personal and intimate songs are shared emotions and experiences of love, life, loss and learning. &#8220;Enganjyani,&#8221; which means &#8216;most beloved&#8217; in Rutooro, the language spoken by Somi&#8217;s Ugandan mother, refers to, as she puts it, &#8220;the memory of whispered prayer and being haunted by a past lover.&#8221; The track features the legendary <strong>Hugh Masekela<\/strong>, a longtime Somi fan who has become a mentor, guesting on trumpet. \u00a0<\/p>\n<p>Surrounded by a cast of virtuosic collaborators who understand precisely where she&#8217;s going and how to get there, Somi burrows deeply into her words and ultimately something transcendent emerges. Her vision was shared by the album&#8217;s co-producers, ObliqSound co-founder <strong>Michele Locatelli<\/strong> and Backdrop\/ObliqSound labelmate <strong>Michael Olatuja<\/strong>, both of who also perform on the album. \u00a0The percussive thrust at the heart of African music is a fundamental component of <em>If the Rains Come First<\/em>, brought to bear by an all-star African rhythm section of Ivorian percussionist <strong>Madou Kon\ufffd<\/strong>, Senegalese guitarist <strong>Herve Samb<\/strong>, and Nigerian bassist <strong>Olatuja<\/strong>. Longtime collaborators <strong>Toru Dodo<\/strong> (Fender Rhodes and piano), and <strong>Liberty Ellman<\/strong> and <strong>David Gilmore<\/strong> (guitar) are also among the exemplary musicians who provide additional coloring to flesh out the album. \u00a0<\/p>\n<p>&#8220;The songs on this album reflect where I am emotionally and spiritually today,&#8221; Somi continues. &#8220;At the end of the day, I still know who I am and where home is before, during, and after the rain&#8211;it&#8217;s in the music.&#8221; <\/p>\n<p><font><br \/><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/font><\/font><\/td>\n<\/tr>\n<\/table>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SomiIf The Rains Come First ObliqSound &#8211; 2009 When Somi<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4685","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4685"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4685\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}