{"id":4615,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/hot-single-mark-pierce-get-to-the-point\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"hot-single-mark-pierce-get-to-the-point","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4615","title":{"rendered":"Hot Single &#8211; Mark Pierce &#8211; Get To The Point"},"content":{"rendered":"<p><cfinclude template=\"_back.inc\"><title>Hot Single &#8211; Mark Pierce &#8211; Get To The Point<\/title><?php require($DOCUMENT_ROOT . \"_body.htm\");   ??><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/pierce.gif\" width=\"150\" height=\"150\" align=\"right\"\/><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" face=\"Verdana, Helvetica\">This month&#8217;s hot single is   entitled <b>There&#8217;s a Road<\/b> by an artist named <i>Mark Pierce<\/i> from his self-published album <i>Get to the point<\/i>.  <\/p>\n<p>  This moving bass instrumental is filled with peaks and runs reminiscent of  Stanley Clark&#8217;s <i>School Days<\/i>. <\/p>\n<p>  This is another example of fine, homegrown Pacific-Northwest jazz.  For more information on this single (or the album) contact the artist <a href=\"mailto:mepier@pacifier.com\">Mark Pierce<\/a> directly.  <\/p>\n<p><font size=\"1\" face=\"Verdana\" color=\"red\">All songs and music are Copyright \u00a9 1997 AFG and A-Studio Music publishing. All rights reserved worldwide.<br \/><font size=\"2\" style=\"font-face:verdana; font-size:10pt\">      <\/font><\/font><\/font><center>    <img loading=\"lazy\" decoding=\"async\" src=\"..\/btn_jazz.gif\" width=\"88\" height=\"31\"\/><\/center>  <cfinclude template=\"_footer.inc\"><cfinclude template=\"forceframe.inc\"><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/cfinclude><\/cfinclude><\/cfinclude><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hot Single &#8211; Mark Pierce &#8211; Get To The PointThis<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4615","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4615"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4615\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}