{"id":4510,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/harry-connick-jr-live-the-tanglewood-jazz-festival\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"harry-connick-jr-live-the-tanglewood-jazz-festival","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4510","title":{"rendered":"Harry Connick, Jr.  &#8211; Live @ The Tanglewood Jazz Festival"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/jazzusa.com\/stories\/..\/storypix\/harryconnickjr.jpg\" width=\"146\" alt=\"Harry Connick, Jr.\" align=\"Right\" border=\"0\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Harry Connick, Jr.  Live  <br \/><a href=\"http:\/\/www.bso.org\/armsOfBSO.jhtml?catName=Tanglewood&amp;area=tgl\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/jazzusa.com\/stories\/..\/storypix\/tanglewoodlogo.jpg\" width=\"39\" alt=\"Click to visit the Tanglewood Jazz web site\" align=\"Left\" border=\"1\"\/><\/a>@ The Tanglewood Jazz Festival<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:11px\">(September 4, 2004) <br \/> by Matthew Robinson<\/font><\/p>\n<p><font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\" color=\"#000000\">      After a reminiscent introduction by Festival founder and local Jazz legend Fred Taylor, Mr. Connick the Younger prepared to finish up his &#8220;Only You&#8221; tour with one last party. Unfortunately, it took some time to get it going.  After an extended period of one-fingered fiddling with his piano, Harry led his trio and then the large and looming orchestra into a a booming rendition of &#8220;People Will Say Were in Love.&#8221; When the vocals finally revealed where Harry had been heading all this time, they were cracked and road-worn, especially when he tried to emphasize or get the crowd going with random lyric shouts. <\/p>\n<p>  Ironically, he would later reveal his &#8220;pre-show ritual&#8221; in which he and trombonist Lucien Barbarin each eat Hall&#8217;s cough drops in an effort to stave off the tortures of touring. Though  &#8220;Way Down Yonder in New Orleans&#8221; was a bit rushed (especially considering its source material) and &#8220;Smile&#8221; a bit crooked and cracked, Harry was eventually able to settle into a gentler, firmer groove. Among the resultant high points were a colorful trio rendition of &#8220;All of Me,&#8221; an appropriately dirgy stroll through &#8220;St. James Infirmary,&#8221; and an even more lamenting Gospel sway through &#8220;Old Rugged Cross.&#8221; The show stealer, however, was when Mr. Connick, SR. surprised his son with a chorus of &#8220;Up a Lazy River.&#8221; The resultant ovation caught even &#8220;June&#8221; (as in &#8220;Junior&#8221;) off guard, but he relished in the opportunity to thank his father for all they had done together while actually doing more of it. <\/p>\n<p>  Catching his breath in a plodding &#8220;For Once in My Life,&#8221; Connick wound up the night by asking his adoring fans to &#8220;Save the Last Dance for Me&#8221; before swinging them out into the cool, clear Berkshire night with a New Orleans romp on &#8220;Come by Me.&#8221; Though uneven and at times meandering, Connick did not fail to please the Festival crowd. And, to hear Taylor tell it, he has come a long way indeed!        <br \/><font size=\"1\"><br \/>  \u00a9 2004, M. S. Robinson, ARR<\/font>  <\/p>\n<p align=\"center\"> <font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:14px\">       <cfinclude template=\"adbanner.asp\"\/><\/font><\/p>\n<p>  <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Harry Connick, Jr. Live @ The Tanglewood Jazz Festival(September 4,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4510","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4510"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4510\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}