{"id":4508,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/the-rh-factor-hard-groove\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"the-rh-factor-hard-groove","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4508","title":{"rendered":"The RH Factor  &#8211; Hard Groove"},"content":{"rendered":"<p align=\"right\"><b><font size=\"4\" style=\"font-face:verdana; font-size:14pt\" color=\"Blue\" face=\"Verdana, Helvetica\">The RH Factor<br \/><\/font><font color=\"#0000FF\" face=\"Verdana\" size=\"3\" style=\"font-face:verdana; font-size:12pt\">Hard Groove<\/font><\/b><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:8pt\">(Verve &#8211; 2003)<br \/> by Paula Edelstein<\/font><\/p>\n<p align=\"left\">  <font size=\"2\" style=\"font-face:verdana; font-size:10pt\" face=\"Verdana, Helvetica\" color=\"#000000\">  <b>Roy Hargrove<\/b> is a Grammy award winning recording artist whose first disc as a jazz leader was released in 1990. Considered by many to be one of the premiere trumpet players on the music scene today, has long had a fascination for, and love of, R&amp;B, Funk, and classic Soul music. Hard Groove is the realization of a musical dream come true. The RH Factor is the identity that composer\/arranger Hargrove has coined for the musical collective he&#8217;s assembled for Hard Groove. Like a 21st Century Quincy Jones, the trumpeter has brought together a diverse array of musicians from his recent collaborative efforts to create an organic musical street party at the corner of hip-hop and bop, encompassing many of his musical passions-the slow-grinding soul of Funkadelic&#8217;s &#8220;I&#8217;ll Stay&#8221; with a sultry vocal by <b>D&#8217;Angelo<\/b>; <b>Common&#8217;s<\/b> free-styled rap intro on the aptly titled &#8220;Common Free Style&#8221;; both <b>Q-Tip<\/b> and <b>Erykah Badu <\/b>bringing their distinctive hip-hop and R&amp;B sounds to the party-like funk of &#8220;Poetry&#8221;.    <\/p>\n<p>  On the vocal side, Hard Groove also contains stellar performances by D&#8217;Angelo background vocalists <b>Anthony Hamilton<\/b> (&#8220;Kwah&#8221; \/ &#8220;Home&#8221;) and <b>Shelby Johnson<\/b> (&#8220;How I Know&#8221;); a fine turn by <b>Stephanie McKay<\/b> (&#8220;Forget Regret&#8221;); and former Motown recording artist <b>Renee Neufville<\/b> (&#8220;Juicy&#8221;).  <\/p>\n<p>  Hard Groove speaks of yesterday, sounds like today, and looks like the future! Roy himself says it best in his liner notes: This recording is something I&#8217;ve wanted to do for quite some time. The music is a representation of what can happen when people looking in the same direction get together, with dedication, focus, and positive spiritual energy.   <\/p>\n<p align=\"center\"> <font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:14px\">     <br \/>    Reprinted with permission of&#8230;<br \/><\/font><font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:14px\">     <a href=\"http:\/\/www.soundsoftimelessjazz.com\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/sotjlogo.gif\" width=\"540\" height=\"100\" border=\"0\"\/><\/a>     <\/font><\/p>\n<p>  <\/font><\/p>\n<p>          <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The RH FactorHard Groove(Verve &#8211; 2003) by Paula Edelstein Roy<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4508","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4508"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4508\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}