{"id":4444,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/kombo-cookin-out\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"kombo-cookin-out","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4444","title":{"rendered":"Kombo &#8211; Cookin&#8217; Out"},"content":{"rendered":"<p align=\"left\">  <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/cookinout.jpg\" width=\"150\" height=\"150\" align=\"Left\" hspace=\"4\"\/><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" color=\"Blue\" face=\"Verdana,Helvetica,\">  Cookin&#8217; Out<\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:14pt\" color=\"Blue\" face=\"Verdana, Helvetica\">  Kombo<\/font><br \/><font size=\"1\" face=\"Verdana, Helvetica\">(GRP &#8211; 2001)<br \/> by Ray Redmond  <\/font><\/p>\n<p><font face=\"Verdana\" size=\"2\">  Kombo&#8217;s debut album &#8220;The Big Blast&#8221; recalled the solid R&amp;B of the past while adding a more contemporary jazz feel. With &#8220;Cookin&#8217; Out'&#8221; <b>Ron Pedley<\/b> and <b>Jon Pondel<\/b> are back with a mixture of originals and covers that all share that same smooth, old-school jazz sound. They come out of the gate with &#8220;Tip of the Hat&#8221;, a very uptempo <i>Lorber-esque<\/i> piece which features Ron&#8217;s signature B3 and Jon&#8217;s distinctive jazz-tinged guitar.  &#8220;Tight&#8221; rolls along, again featuring the duo&#8217;s lively interplay.  <b>Sharon Hendrix<\/b> shows her vocal talents on the sensual &#8220;Hush&#8221; as well as their sporty cover of the classic Nyro track &#8220;Stoned Soul Picnic&#8221;.  <\/p>\n<p>  This is a very good example of a contemporary group taking a classic song and infusing it with a liveliness that is just as dynamic as the original, yet sufficiently different to be enjoyable on it&#8217;s own merits. The same can be said of the very creative &#8220;Use Me\/Green Eyed Lady&#8221; combination they put together (This was a candidate for this month&#8217;s Hot Single). The choice to cover <i>WAR&#8217;s<\/i> classic &#8220;Low Rider&#8221; was perhaps a little less wise, coming off as flat and lacking in luster compared to the original. There are only three cover tunes on the entire CD, so I guess two out of three isn&#8217;t bad.  <\/p>\n<p>    &#8220;Cookin&#8217; Out&#8221; and &#8220;Gettin&#8217; it Done&#8221;, both originals are well crafted and smooth. A lot of the enjoyment of this CD comes from the interplay between Pedley and Pondel, who are old friends. Though not as <i>outright <\/i>funky as some of the <b>Jazzhole<\/b> stuff that Pondel was involved with a few years ago, there is an element of old school funk throughout this release.  As Pondel says, their music is &#8220;<i>in the vein of acid jazz and R&amp;B but can also fit into the contemporary jazz thing.<\/i>&#8221;  Saxman <b>Everett Harp<\/b> helps this cause making an appearance on the percolating original &#8220;Simmer Down&#8221;. Also&#8230;Kudos to <b>Luis Conte<\/b> who held the percussion down throughout the album.    <\/font><\/p>\n<p align=\"center\"><cfinclude template=\"adbanner.asp\"\/><\/p>\n<p align=\"center\">\n<p>    <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cookin&#8217; Out Kombo(GRP &#8211; 2001) by Ray Redmond Kombo&#8217;s debut<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4444","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4444"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4444\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}