{"id":4412,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/clark-terry-reminisces-about-duke\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"clark-terry-reminisces-about-duke","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4412","title":{"rendered":"Clark Terry Reminisces about Duke"},"content":{"rendered":"<p align=\"left\">  <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/ctcollage_copyrightAngieCheng.jpg\" width=\"312\" height=\"150\" alt=\"\" border=\"0\" align=\"right\"\/><font color=\"#000000\" face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:8pt\">  I Remember Duke&#8230;<br \/><\/font>  <font color=\"blue\" face=\"Verdana, Helvetica\" size=\"4\">  Clark Terry Reminisces<\/font><br \/><font color=\"#000000\" face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:8pt\">  by T.C. Brautigam<\/font><\/p>\n<p align=\"left\">  <font size=\"2\" face=\"Verdana, helvetica\">      It&#8217;s a few minutes before show time at the duMaurier Downtown Jazz  Festival in Toronto and Clark Terry is fidgeting with the valves on his  personally-engraved flugelhorn backstage.  Decked out in a three-piece  biege suit, Terry exudes professionalism.  But beneath the suit and  horn, Terry, affectionately known as Mumbles, emits a child-like  enthusiasm as though this is his first gig.  <\/p>\n<p>    This same enthusiasm grows when he reminisces about Duke Ellington.  <\/p>\n<p>    &#8220;I usually refer to my stint with the Ellington band as the period  during which I attended the University of Ellingtonia,&#8221; says Terry, who  played with Duke for eight years.  &#8220;So much would just rub off on you  just through the process of osmosis.&#8221;  Song selection was perhaps one of those things.  <\/p>\n<p>    &#8220;He could read an audience and tell what not to play for them and  what to play for them,&#8221; Terry recalls.  <\/p>\n<p>    Another lesson Mumbles learned from Ellington was how to tactfully  steal star musicians from another band leader.  In 1951, after three  years with the Count Basie Orchestra, Terry was asked to play horn for  Ellington&#8217;s band.  <\/p>\n<p>    &#8220;Duke had the way of scouting people and putting them on call &#8230;  (he would) surround himself with people that he&#8217;s chosen over the  years,&#8221; murmurs the 78-year-old St. Louis native.  &#8220;It was not proper  protocol to snatch one&#8217;s key player out of one&#8217;s best buddy&#8217;s band, so  he had to make it appear to Basie that I was ill and had to go home and  rest.&#8221;  <\/p>\n<p>    &#8220;He said, &#8216;We&#8217;ll just happen to be coming through St. Louis, so (we  will) stay until eleven and by then you may be feeling well enough to  come out and try your chops again.&#8217;  And to cap it off he said,  &#8216;Meanwhile, I&#8217;ll put you on salary,'&#8221; says Terry.  &#8220;That did it &#8230; I  said, &#8216;Bye Basie.'&#8221;  <\/p>\n<p>    It was during this time that Mumbles got to know Ellington well.  Terry remembers the Duke as an extremely superstitious individual,  especially before a performance.  <\/p>\n<p>    &#8220;He didn&#8217;t like peanuts in the dressing room.  He didn&#8217;t like  whistling in the dressing room,&#8221; recollects Terry, adding that Ellington  detested the color yellow because he felt it brought bad luck.  <\/p>\n<p>    Looking at Terry preparing for his performance, still fidgeting with  his horn, it is apparent that superstition is something he also picked  up from the Duke through osmosis.  There are no peanuts.  He doesn&#8217;t  whistle, but you may hear the occasional mumble.   <\/font><\/p>\n<p align=\"center\"><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:8pt\"><cfinclude template=\"adbanner.asp\"\/><\/font><\/p>\n<p align=\"center\"><a href=\"http:\/\/JazzUSA.com\" target=\"_top\"> <\/a><\/p>\n<p>  <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I Remember Duke&#8230; Clark Terry Reminisces by T.C. Brautigam It&#8217;s<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4412","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4412","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4412"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4412\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4412"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4412"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}