{"id":4381,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/bill-charlap-trio-live-at-the-village-vanguard\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"bill-charlap-trio-live-at-the-village-vanguard","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4381","title":{"rendered":"Bill Charlap Trio  &#8211; Live at the Village Vanguard"},"content":{"rendered":"<p><img decoding=\"async\" src=\"stories\/..\/storypix\/charlaplive.jpg\" height=\"120\" align=\"left\" border=\"1\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Bill Charlap Trio <\/strong><\/font>  <br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>Live at the Village Vanguard<\/strong><\/font>    <font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"><br \/>(Blue Note  &#8211; 2007)<br \/> by Donald Eichelberger<\/p>\n<p><\/font>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\">    Once in a while, the unexpected comes along; and once in a while, one is fortunate enough to get more than what one expected:  This time it&#8217;s Bill Charlap, a very expressive pianist who brings something special to each composition that he&#8217;s chosen to share.  And I use the word &#8220;share&#8221; because I really do feel as if we, the listeners, are indeed participating in a sharing\u0097a more vital exchange than a &#8220;performance&#8221;.  <\/p>\n<p>  The way that Charlap plays ballads is so personal, so intimate that I feel like I\u0091m eavesdropping on him while he&#8217;s playing whatever he&#8217;d play for his own pleasure in the privacy of his own living room when no one else is around.  And when Charlap plays up-tempo, he levitates; and, lucky us, we get to go along!  <\/p>\n<p>  Peter Washington on bass and Kenneth Washington on drums are so &#8220;in the pocket&#8221; with Charlap that the three of them sound like there&#8217;s only one brain directing all three of them, but it&#8217;s a &#8220;brain&#8221; that doesn&#8217;t belong to any one of the them.  They dip deeply into a shared musical wellspring of creativity; and then they, in turn, share this musical nectar with us.  These three musicians have distilled IT, and they&#8217;re sharing IT with us straight-up, no water no chaser.  It&#8217;s pure, and it&#8217;s good for you.  This is interactive music, in that it touches the &#8220;inner you&#8221;.  As I said, this is more than a performance; it&#8217;s a celebration!  <\/p>\n<p>  I don&#8217;t usually make comparisons, but Bill Charlap reminds me of another Bill:  Bill &#8220;Heavenly Fingers&#8221; Evans.  Simple elegance.  Seemingly effortless.  Using silence as music, too.  Sweet, like a hot, fresh cinnamon roll, dripping&#8217; with butter.  Funky, like the smell of the best barbeque joint in town.  As relaxed and peaceful as a languid, yet energized, sunny Sunday afternoon.  <\/p>\n<p>  (Note:  This is a live recording at the Village Vanguard, and for the most part, there&#8217;s NO background noise.  The audience and employees are respectful and entertainingly entranced.)  <\/p>\n<p>  So.  I don&#8217;t need to mention any particular song on the CD.  Pick one, any one, and you will be pleased.        <!--#include file=adbanner.asp-->            <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bill Charlap Trio Live at the Village Vanguard (Blue Note<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4381","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4381"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4381\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}