{"id":4364,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/candy-dulfer-candy-store\/"},"modified":"2018-10-25T18:23:13","modified_gmt":"2018-10-26T01:23:13","slug":"candy-dulfer-candy-store","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4364","title":{"rendered":"Candy Dulfer &#8211; Candy Store"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"..\/storypix\/CandyStore.jpg\" width=\"120\" height=\"120\" align=\"left\" border=\"1\" \/><span style=\"font-face: verdana; font-size: medium; color: blue; font-family: Verdana;\"><strong>Candy Dulfer<\/strong><\/span><br \/>\n<span style=\"font-face: verdana; font-size: small; color: blue; font-family: Verdana;\"><strong>Candy Store <\/strong><\/span> <span style=\"font-face: verdana; font-size: xx-small; color: #000000; font-family: Verdana, Helvetica;\"><br \/>\n(Heads Up &#8211; 2006)<br \/>\nby Ray Redmond<\/span><\/p>\n<p><span style=\"font-family: Verdana, Helvetica; font-size: small;\"> Dutch-born saxophonist Candy Dulfer has been wowing audiences for nearly two decades now. In every corner of the world she is known for having show-stopping musicianship and eye-popping sex appeal. Ever since her 1990 Grammy-nominated debut album <em>Saxuality<\/em> she has kicked out a string of hit CDs with an impressive and diverse list of collaborators that includes Prince, Dave Stewart (Eurythmics), Maceo Parker, Van Morrison, Beyonce, Pink Floyd and Aretha Franklin.<\/span><\/p>\n<p>Dulfer joins the Heads Up Records with the release of the free-wheeling, high-energy <strong>Candy Store<\/strong>. This assortment of tasty tracks was crafted by Dulfer and fellow Dutchmen and longtime friends, guitarist and songwriter Ulco Bedand keyboardist Thomas Bank. They are joined by keyboardists \/ bassist \/ vocalist <em>Chance Howard<\/em> from Minneapolis &#8211; a member of Prince&#8217;s band, as well as Morris Day&#8217;s band, The Time \u0096 the new kid in the store.<\/p>\n<p>Written by Howard , the CD pops off on the upstroke with the house-style &#8220;Candy.&#8221; &#8220;If I Ruled The World&#8221; is my favorite; filled with sexy sax choruses and flutes atop a FUNK-EEE bassline, complimented by some smoking keyboard solos, this is truly a <em>groove and a half<\/em>. &#8220;L.A. Citylights&#8221; is slow and mellow, filled with smoky and evocative sax lines. &#8220;Soulsax&#8221; is also on the slower side, harkening back to the days when Grover and Kool&#8217;s Gang were in power on the slow-jam circuit.<\/p>\n<p>Adding a bit of Latin spice are &#8220;La Cabana&#8221;, Dulfer&#8217;s ode to the Dutch Caribbean islands (Aruba, Curacao and Bonaire) and the smart &#8220;Back To Juan&#8221; with it&#8217;s handclaps and percussion base.<\/p>\n<p>Not content to remain relegated to her heavenly horn, Dulfer delivers some solid vocals on &#8220;Summertime&#8221;, an uptemopo groove with an old school bumping bassline based on a classic skating song. The track features a full horn section to complement her sassy sax work. Candy also gives up some sweet and subtle vocal accents on the soulful closer, &#8220;Every time.&#8221;<\/p>\n<p>Candy Dulfer&#8217;s name has become associated with good music, and she again delivers it in the <strong><strong>Candy Store<\/strong><\/strong>.<\/p>\n<hr size=\"1\" \/>\n<p>&nbsp;<\/p>\n<hr size=\"1\" \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Candy Dulfer Candy Store (Heads Up &#8211; 2006) by Ray<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4364","post","type-post","status-publish","format-standard","hentry","category-jazz_reviews"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4364"}],"version-history":[{"count":1,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4364\/revisions"}],"predecessor-version":[{"id":11006,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4364\/revisions\/11006"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4364"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}