{"id":4332,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/euge-groove-born-2-groove\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"euge-groove-born-2-groove","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=4332","title":{"rendered":"Euge Groove &#8211; Born 2 Groove"},"content":{"rendered":"<p><img decoding=\"async\" src=\"stories\/..\/storypix\/born2groove.jpg\" height=\"120\" align=\"left\" border=\"1\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Euge Groove<\/strong><\/font>  <br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>Born 2 Groove<\/strong><\/font>    <font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"><br \/>(Narada &#8211; 2007)<br \/> Staff<\/p>\n<p><\/font>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\">  Born 2 Groove begins with the laid back, gently playful &#8220;A Summer Night&#8217;s Dream,&#8221; a track reminiscent of Euge&#8217;s first big instrumental hit &#8220;Romeo &amp; Juliet&#8221; featuring touches of his trademark texturing behind his gentle soprano lead voice. The saxman hooks into a more deeply soulful approach on the bright and vibrant &#8220;Mr. Groove,&#8221; whose double entendre title says it all about both himself and the flow of the song.   <\/p>\n<p>    The vibrant image of an Italian piazza is foremost on his mind on the wistful and haunting, gently mystical &#8220;Caf\u00e9 del Soul&#8221; and the simmering sensual fire of &#8220;Slow Jam,&#8221; which features some of the collection&#8217;s most expressive playing and improvisations. The title track keeps that energy going with an ensemble jam featuring touches of retro-soul ambience via Smith&#8217;s wah-wah guitar clicks and Carter&#8217;s Fender Rhodes and Wurlitzer piano. The title of the soaring, feel good mid-tempo tenor-driven &#8220;Religify&#8221; \u0097 which literally means to &#8220;make religious&#8221; \u0097 draws from the song&#8217;s brimming churchy soul sound.  <\/p>\n<p>    &#8220;Geez Spot&#8221; takes that spirit even deeper and moodier with a feel good thing reminiscent of his hit &#8220;Chillaxin&#8217;,&#8221; Peterson&#8217;s bubbly Hammond B-3 and Euge&#8217;s seductive tenor melody. The slow burning, neo-soul flavored vocal track &#8220;I Love You More Than You&#8217;ll Ever Know&#8221; \u0097 a hit for legendary soul singer Donny Hathaway in 1973 \u0097 is a powerful showcase for renowned soul singer Ali 0llie Woodson, who was lead singer for The Temptations during their 80&#8217;s and 90&#8217;s comeback.   <\/p>\n<p>  Euge closes the set playing harmony lines behind R&amp;B legend Jeffrey Osborne&#8217;s penetrating lead vocals on &#8220;Baby What I Wouldn&#8217;t Do.&#8221; This song is a collaboration not only in performance, but was co-written by Euge and Osborne as well; Euge plays every instrument on the track.  <\/p>\n<p><!--#include file=adbanner.asp--><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Euge Groove Born 2 Groove (Narada &#8211; 2007) Staff Born<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-4332","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4332"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/4332\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}