{"id":3998,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/george-duke-face-the-music\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"george-duke-face-the-music","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3998","title":{"rendered":"George Duke &#8211; Face The Music"},"content":{"rendered":"<div align=\"right\"><b><font size=\"4\" color=\"Blue\" face=\"Verdana, Helvetica\">George Duke<br \/><\/font><font color=\"#0000FF\" face=\"Verdana\" size=\"3\">Face The Music<br \/><\/font><\/b><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:8pt\">(Big Piano &#8211; 2002)<br \/> by  S.H. Watkins, Sr.<\/p>\n<p><\/font><\/div>\n<p>  <font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\">  George Duke is one of the pioneers of jamming jazz funk. Albums like &#8216;Reach For It&#8217; and &#8216;Don&#8217;t Let Go&#8217; from the 70&#8217;s immediately come to mind, as do the The &#8216;Clarke\/Duke&#8217; Projects from the 80&#8217;s. Since then his 1997 release &#8216;Is Love Enough?&#8217; is the only other one I can recall the name of. Oh, they were all good releases, but not <i>notable<\/i>. The last bunch of releases, it seems that George was making &#8216;thematic&#8217; albums, and all the tracks on each CD were geared at that particular theme, <i>sometime<\/i> successfully&#8230;.<\/p>\n<p>  This first release on his <i>Big Piano<\/i> label is a throwback to the <i>old<\/i> George Duke. The songs here are varied and individually wonderful, adding up to great CD. <i>The Black Messiah<\/i> is a long, slow, juke-joint funky piece that has live elements mixed in&#8230; very Donny Hathaway. <i>Chillin&#8217;<\/i> is an uptempo, smooth jazz piano ramble. <i>My Piano<\/i> takes you on a ride &#8216;south of the border&#8217;. <i>Guess You&#8217;re Not the One<\/i> is a love-lost ballad in the classic Duke tradition, filled with lush vocals and piano accents.  <\/p>\n<p><i>Let&#8217;s Roll<\/i> picks it up again, <b>Christian McBride<\/b> carrying this urban track with his strong bass presence. <i>Ain&#8217;t It Funky Now<\/i> is just that&#8230;. funky. <b>Jef Lee Johnson<\/b> struts his guitar to very horny-horn-ish accompaniement provided by the likes of <b>Everett Harp, Dan Higgins, Oscar Brashear and Isaac Smith<\/b>. <i>Close To You<\/i> is the obligatory love song, featuring <b>Kirk Whalum<\/b> on saxophone as George croons. <i>Another way to look at it<\/i> starts of slow and a little eerie, growing into a fusion\/funk thing that works largely due to some absolutely furious bass-ing from McBride.<\/p>\n<p><i>Creepin&#8217;<\/i> is the really <i>low-down funky<\/i> track. Everything is one the one here with heavy bass and kick and horns that embody the <i>soul<\/i> of Maceo Parker. The last track is the 11 minute <i>10 mile Jog<\/i> which was cut down from a 35-minute jam session, and I DO mean JAM session.    <\/p>\n<p>Ahhhh it&#8217;s great to get that dose of Duke that&#8217;s been so painfully sparse this last decade. Check it out.\t<\/font>            <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>George DukeFace The Music(Big Piano &#8211; 2002) by S.H. Watkins,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3998","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3998"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3998\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}