{"id":3931,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/jango-dreamtown\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"jango-dreamtown","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3931","title":{"rendered":"Jango &#8211; Dreamtown"},"content":{"rendered":"<p align=\"left\"><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" face=\"Verdana, Helvetica\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/dreamtown.jpg\" alt=\"Jango - Dreamtown\" align=\"left\" hspace=\"4\" vspace=\"2\" width=\"150\" height=\"150\"\/><\/font><font color=\"#0000FF\" size=\"4\" face=\"Verdana, Helvetica\">Jango<br \/><\/font><font color=\"#0000FF\" size=\"3\" face=\"Verdana, Helvetica\">Dreamtown<\/font><font color=\"#0000FF\" size=\"4\" face=\"Verdana, Helvetica\"><br \/><\/font><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" face=\"Verdana, Helvetica\"><\/font><font color=\"#000000\" size=\"1\" face=\"Verdana, Helvetica\"> by S. H.  Watkins, Sr.<\/font><\/p>\n<p align=\"left\"><font color=\"#400000\" size=\"2\" face=\"Verdana, Helvetica\">The eighth track of <em>Dreamtown, &#8220;<\/em>Too  Much Time<em>&#8221; <\/em>has a line that goes &#8220;I play my  worn out Steely Dan&#8230;&#8221;.\u00a0 The eleventh track is named <em>Sunset  to the Sea<\/em> (&#8220;Take sunset to the sea&#8221; is the first  line of the Steely Dan classic &#8220;Babylon Sisters&#8221;.)  Coincidence? Not at all. The title track, &#8220;Dreamtown&#8221;  clearly shows the influence of the vocal stylings made famous by  Donald Fagan and Steely Dan. <\/font><\/p>\n<p align=\"left\"><font color=\"#400000\" size=\"2\" face=\"Verdana, Helvetica\">Jango itself is mainly a collection of  good musicians put together by songwriters Steve La Gassick and  Michael Price to perform songs they had written. (Sound  familiar?) But, like those Steely Dan albums of old, the  strongest part of this album is the songwriting. The music is  very lively and up-tempo. Throughout, the vocals are reminiscent  of Steely Dan while not taking away from the individual identity  of the band.\u00a0 The tracks are interesting and varied,  including a rendition of the pop hit &#8220;How Long&#8221;  featuring some good riff work by guitarist Nick Kirgo.<\/font><\/p>\n<p align=\"left\"><font color=\"#400000\" size=\"2\" face=\"Verdana, Helvetica\">Saxman\/vocalist Steve Neves, Bassist Leon  Johnson and Drummer Dave Beyer round out this L.A. based band. On  the whole &#8220;Dreamtown&#8221;, Jango&#8217;s first release, is good.  Some of the tracks lean a little more towards the pop side (also  like Steely Dan), and the vocals could be pumped up a little in a  few places,\u00a0 but the jazzy tunes are really well done. I  give it a &#8216;B&#8217;. You should give it a listen.<\/font><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" face=\"Verdana, Helvetica\">.<\/font><\/p>\n<p align=\"center\"><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" face=\"Verdana, Helvetica\">For more  on Jango visit the <\/font><a href=\"http:\/\/www.samsonmusic.com\"><font size=\"2\" face=\"Verdana, Helvetica\"><strong>Samson Music Website<\/strong><\/font><\/a><\/p>\n<p align=\"center\"><font size=\"1\" face=\"Verdana, Helvetica\"><cfinclude template=\"adbanner.asp\"\/><\/font><\/p>\n<p align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/LOGOS\/btn_jazz.gif\" border=\"0\" width=\"88\" height=\"31\"\/><\/p>\n<p>  <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>JangoDreamtown by S. H. Watkins, Sr. The eighth track of<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3931","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3931"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3931\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}