{"id":3774,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/brian-trainor-and-friends-why-try-to-change-me-now\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"brian-trainor-and-friends-why-try-to-change-me-now","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3774","title":{"rendered":"Brian Trainor and Friends  &#8211; Why Try to Change Me Now?"},"content":{"rendered":"<p><img decoding=\"async\" src=\"stories\/..\/storypix\/WhyTrytoChangeMeNow.jpg\" height=\"120\" align=\"left\" border=\"1\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Brian Trainor and Friends <\/strong><\/font>  <br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>Why Try to Change Me Now?<\/strong><\/font>    <font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"><br \/>(Summit &#8211; 2007)<br \/> by Mark Ruffin<\/p>\n<p><\/font>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\">  This is a real sleeper of an album. Trainor is a pianist with okay abilities, but his friends are some <em>very talented vocalists<\/em>.  Eleven of the twelve tracks are vocals, including three fine women whom I&#8217;ve never heard of and two very distinct and moderately well known male vocalists; the underrated <strong>Jon Lucien <\/strong>and the incredibly compelling <strong>Little Jimmy Scott<\/strong>.  Scott&#8217;s work is downright stirring on the title track &#8220;Why Try To Change Me Now.&#8221; Scott also sings two other sad songs, &#8220;The Folks Who Live On The Hill&#8221; and &#8220;Every Time We Say Goodbye.&#8221;  <\/p>\n<p>  In fact  only two tunes on this album can truly be called uptempo in either spirit or pacing, but nearly every vocal performance is worth a listen, especially for fans of Scott and Lucien.  Lucien is famous for his smooth jazz leaning and for his version of A.C. Jobim&#8217;s &#8220;Dindi,&#8221; which some people consider the definitive version of the song (my editor included.)  In an acoustic setting his dark deep tenor resonates even more.  Lucien also sings three songs including a bluesy version of the gospel standard &#8220;Take My Hand Precious Lord,&#8221; and Anthony Newly&#8217;s &#8220;Feelin&#8217; Good,&#8221; which I like a lot.  <\/p>\n<p>    But not nearly as much as the Trainor original &#8220;She Goes Home&#8221; featuring <strong>Steve Marcus <\/strong>on soprano sax. Trainor&#8217;s best solo is also on this track and Lucien does some fine scatting.  Here&#8217;s the sad aspect of this album: Marcus died shortly after the completion of recording of this album. So did Trainor, two months before the release of the record.   Look at Trainor on the cover with a cigarette and the ironic title, you&#8217;d think this was a farewell card from Trainor.  <\/p>\n<p>  But he was in great health but had a fatal out-of-nowhere brain aneurysm.  As it turns out, this is a fine farwell card, especially if you&#8217;re a fan of Little Jimmy Scott or Jon Lucien.          <!--#include file=adbanner.asp-->            <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Brian Trainor and Friends Why Try to Change Me Now?<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3774","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3774"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3774\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}