{"id":3740,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/various-viva-carlos\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"various-viva-carlos","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3740","title":{"rendered":"Various &#8211; Viva Carlos"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/vivacarlos.jpg\" width=\"120\" alt=\"\" border=\"0\" align=\"left\"\/><b><font color=\"#0000FF\" face=\"Verdana\" size=\"3\" style=\"font-size:14px\">A Supernatural, Marathon Celebration<\/font><br \/><\/b>  <font size=\"4\" color=\"Blue\" face=\"Verdana, Helvetica\" style=\"font-size:18px\"><strong>Viva Carlos <\/strong> <\/font><font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:10px\"><br \/>(Tone Center &#8211; 2006)<br \/>    by Sidney Bechet-Mandela<\/p>\n<p><\/font>  <font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:13px\">  One of last year&#8217;s &#8220;best of&#8221; releases was a Weather Report tribute album from <strong>Tone Center<\/strong>, a label that has become known for putting out some of the finest fusion music of the 21st century&#8230; and for tribute albums. This time they&#8217;re at it again with a guitar tribute to Carlos Santana called &#8220;Viva Carlos, A Supernatural Marathon Celebration&#8221;  that is just a lot of fun!  Ten guitarists from the jazz, rock and blues worlds, including <strong>Pat Martino, Robben Ford, Eric Johnson and Frank Gambale<\/strong> subjugate their own distinct style to pay tribute to a musician that is so iconoclastic that even the most casual music fan knows his sound after hearing just a few notes.    <\/p>\n<p><strong>Mike Stern <\/strong> gets off the best Carlos licks on the album playing the solo from the very well known Santana hit &#8220;Oye Como Va&#8221; which  appeared on Santana&#8217;s second album &#8220;Abraxes&#8221; in 1970. Did you know that &#8220;Oye Como Va&#8221; was written and originally  performed by Tito Puente?  In fact, Santana&#8217;s first four hits all had jazz ties  with songs written by percussionist Willie Bobo, guitarist Gabor Szabo and  the song &#8220;Jingo&#8221; (played on this album by blues man <strong>Eric Gales<\/strong>) by drummer Michael Olantunji. Santana garnered the respect of jazz fans early in his career by recording John Coltrane&#8217;s &#8220;Welcome&#8221; and Gene Ammons&#8217; &#8220;Jungle Strut&#8221;, a version of which is also on this album.  <\/p>\n<p>  Seven of the ten tracks are those sweet and sassy Santana original instrumentals that were included on every Santana classic album. Another notable performance features the legendary <strong>Pat Martino <\/strong>playing the title track to the Santana album &#8220;Moonflower,&#8221; subtly allowing his own signature style to come through on this Santana classic.   <\/p>\n<p>  Kudos to guitarist <strong>Jeff Richman<\/strong> who has produced all these tribute albums on the Tone Center record label. Keep up the groove.  <\/font>\t             <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Supernatural, Marathon Celebration Viva Carlos (Tone Center &#8211; 2006)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3740","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3740"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3740\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3740"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}