{"id":3738,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/eldar-virtue\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"eldar-virtue","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3738","title":{"rendered":"Eldar &#8211; Virtue"},"content":{"rendered":"<table width=\"100%\" cellpadding=\"5\">\n<tr>\n<td valign=\"top\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/Virtue.jpg\" align=\"right\" border=\"1\" hspace=\"4\" \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Eldar<\/strong><\/font><br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>Virtue<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" color=\"000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\">  Sony &#8211; 2009<br \/>Ray Redmond<\/p>\n<p><font size=\"2\" style=\"font-family:verdana; font-size:13px\" face=\"Verdana, Helvetica\"><\/p>\n<p><em>Virtue<\/em>, the new recording from jazz keyboard virtuoso Eldar affirms his position as one of the young lions of contemporary jazz and is a fitting follow-up to his 2008 Grammy-nominated album, <em>re-imagination<\/em>. <\/p>\n<p>An immigrant from the former Soviet Union, Eldar started recording as a leader when he was in his mid-teens, and had recorded three albums before his 18th birthday.\u00a0 <\/p>\n<p>On <em>Virtue<\/em>\u00a0Eldar\u00a0merges bebop, hard bop, post-bop and swing influences with guest appearances by trumpeter <strong>Nicholas Payton<\/strong> and saxophonists <strong>Joshua Redman<\/strong> and Felip<strong>e Lamoglia <\/strong>to again create a release that reflects his unique style.<\/p>\n<p><font><br \/><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/font><\/font><\/td>\n<\/tr>\n<\/table>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>EldarVirtue Sony &#8211; 2009Ray Redmond Virtue, the new recording from<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3738","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3738"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3738\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}