{"id":3720,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/hidden-beach-presents-unwrapped-vol-2\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"hidden-beach-presents-unwrapped-vol-2","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3720","title":{"rendered":"Hidden Beach Presents: &#8211; Unwrapped Vol 2"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/unwrappedvol2.jpg\" width=\"120\" height=\"12border=1\" hspace=\"4\" vspace=\"4\" alt=\"Unwrapped Vol.2\" border=\"1\" align=\"left\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Hidden Beach Recordings presents:<\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:18px\" color=\"Blue\" face=\"Verdana, Helvetica\">  <strong>Unwrapped Vol.2<\/strong><\/font><font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"><br \/>(Hidden Beach &#8211; 2002)<br \/> by S.H. Watkins, Sr.<\/p>\n<p><\/font>  <font size=\"1\" style=\"font-face:verdana; font-size:11px\" face=\"Verdana, Helvetica\" color=\"Maroon\">Score another shot for the future. I&#8217;ve said it a million times now&#8230; <em>If we don&#8217;t expose the younger generation to jazz, it will die with the older generation.<\/em> Hidden Beach Records has attempted to bridge that gap twice now by bringing top-flight smooth jazz artists and having them arrange and perform popular <em>Hip Hop<\/em> tracks. The result is what I call <em>Gateway Music<\/em>; it brings them in because it&#8217;s familiar and safe, then it exposes them to something else and they&#8217;re hooked&#8230; on <em>Jazz<\/em>.<\/p>\n<p><\/font><font size=\"2\" style=\"font-face:verdana; font-size:14px\" face=\"Verdana, Helvetica\">  You&#8217;ve got pianist extraordinaire <strong>Patrice Rushen<\/strong> and violinist <strong>Karen Briggs<\/strong> returning from Vol.1 to be joined by the   <em>Godfather <\/em>of smooth jazz <strong>Jeff Lorber<\/strong> and sax prodigy <strong>Mike Phillips<\/strong>, among others. <em>Still a player<\/em> has some     absolutely <em>viscious<\/em> keyboard runs by Rushen. Phillips&#8217; sassy horn teams up with Lorber&#8217;s classic synth sound on the 1991 <em>Fresh Prince <\/em>hit <em>Summertime<\/em>, giving it a new flavor. Vocalist <em>Tamika Peoples<\/em> spreads a smooth background here as well as on the <em>Nelly<\/em> hit <em>Hot In Here<\/em> and the <em>Ja Rule<\/em> track <em>Always On Time<\/em>, again featuring Rushen on keys and dual guitars from <strong>Dennis Nelson<\/strong> and <strong>Terrence Thomas<\/strong>.<\/p>\n<p><em>Mystikal&#8217;s<\/em> <em>Bouncin&#8217; Back (Bumpin Me Against The Wall<\/em> gets a big-band makeover and live feel while keeping the original &#8220;bounce&#8221; that made it a top-ten hit. <em>Coolio&#8217;s<\/em> <em>Gangsta&#8217;a Paradise<\/em> is arguable one of the most heard interpretations (or interpolations) of a <em>Stevie Wonder<\/em> tune. Karen Briggs takes it a step further here, infusing it with even more raw energy and emotion then the Hip-Hop version. And the list goes on, so just go on out and get it. If you don&#8217;t recognize the players but know the songs, get it. If you know the players but not the songs, get it. If you know neither <em>REALLY<\/em> go get it.  <\/font>              <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hidden Beach Recordings presents: Unwrapped Vol.2(Hidden Beach &#8211; 2002) by<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3720","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3720"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3720\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}