{"id":3715,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/yves-montand-unreleased-rare-essential\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"yves-montand-unreleased-rare-essential","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3715","title":{"rendered":"Yves Montand &#8211; Unreleased, Rare &#038; Essential"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"stories\/..\/storypix\/UnreleasedRareandEssential.jpg\" height=\"120\" width=\"120\" align=\"right\" border=\"1\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Yves Montand<\/strong><\/font>  <br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>Unreleased, Rare &amp; Essential<\/strong><\/font>    <font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"><br \/> (DRG &#8211; 2006)<!--<br \/> by S.H. Watkins, Sr.--><\/p>\n<p><\/font>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\">  <strong>Unreleased, Rare &amp; Essential<\/strong> from legendary actor and entertainer <strong>Yves Montand<\/strong> is a compilation of difficult or impossible to find tracks for which Montand collectors might spend hours searching in bins of old vinyl.  <\/p>\n<p>  For example, originally issued on 45 rpm in Italian, Montand&#8217;s mother tongue, are the W.W.II partisan song &#8220;Bella Ciao&#8221; and &#8220;Amor Dammi Quell Fazzolettino.&#8221; &#8220;Let&#8217;s Make Love&#8221; slyly crooned in English, from the 1960 film with Marilyn Monroe, is found only on the film&#8217;s original cast album. Also scarce: a 1982 live performance of his first song &#8220;Dans Les Plaines Du Far-West&#8221; introduced in English, &#8220;L&#8217;etrang\u00e8re,&#8221; by Aragon\/ Ferr\u00e9, and &#8220;Les Tuilieries,&#8221; words by novelist Victor Hugo, &#8220;Idylle Philomenale,&#8221; wordplay in old French argot, &#8220;Planter Caf\u00e9&#8221; from his 1959 Parisian one man show, and &#8220;Syracuse,&#8221; romantic dream of voyages.  <\/p>\n<p><strong>Unreleased, Rare &amp; Essential<\/strong> for Montand aficionados are those simple but catchy tunes you can&#8217;t get out of your head like &#8220;La Chansonette,&#8221; &#8220;Trois Petites Notes De Musique,&#8221; &#8220;\u00c0 Bicyclette,&#8221; &#8220;Les Grands Boulevards,&#8221; and &#8220;Mon Man\u00e8ge \u00e0 Moi,&#8221; huge hits in the fifties and sixties. There&#8217;s a tip of the hat to America with Prevert \/ Crolla&#8217;s &#8220;Les Cireurs de Souliers de Broadway,&#8221; to Germany with Vian&#8217;s French adaptation of Brecht \/ Weil&#8217;s &#8220;La Chanson De Bilbao,&#8221; erotic, romantic songs like &#8220;Coucher Avec Elle,&#8221; &#8220;Sanguine,&#8221; and &#8220;L&#8217;amoureuse,&#8221; a Prevert \/ Kosma children&#8217;s fantasy, &#8220;En Sortant De L&#8217;\u00e9cole,&#8221; the war inspired poem set to music by Aragon\/Ferr\u00e9, &#8220;Est-Ce Ainsi Que Les Hommes Vivent?&#8221; and Prevert \/ Kosma&#8217;s &#8220;Barbara&#8221; which sometimes made Montand cry when he sang it.  <\/p>\n<p><\/font>                     <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yves Montand Unreleased, Rare &amp; Essential (DRG &#8211; 2006) Unreleased,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3715","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3715"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3715\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}