{"id":3712,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/sue-maskaleris-unbreakable-heart\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"sue-maskaleris-unbreakable-heart","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3712","title":{"rendered":"Sue Maskaleris &#8211; Unbreakable Heart"},"content":{"rendered":"<p align=\"Right\">  <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/Unbreakableheart.jpg\" width=\"80\" height=\"80\" alt=\"\" border=\"1\" align=\"Right\" hspace=\"4\" vspace=\"5\"\/><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" color=\"Blue\" face=\"verdana,Helvetica,\">  Unbreakable Heart<\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:14pt\" color=\"Blue\" face=\"Verdana, Helvetica\">  Sue Maskaleris<\/font><br \/><font face=\"Verdana\" color=\"004000\" size=\"1\">(Jazilian &#8211; 2001)<br \/> by Carmen Miller  <\/font><\/p>\n<p>    <font face=\"Verdana\" size=\"2\"><i>Unbreakable Heart<\/i>is well written, <i>very<\/i> well performed, varied and interesting; like a good Broadway show. You won&#8217;t believe it&#8217;s a debut release! Sue wrote, arranged and produced  most of the songs, as well as performing on keyboards and vocals. The style is smooth&#8230;not like smooth-jazz, rather it has the smoothness you get from a good Basia or Jarreau tune.<\/p>\n<p><i>Pajamasamba<\/i>, a Corea-esque joyride, immediately showcases Sue&#8217;s adeptness with the piano&#8230; and her ability to scat. On the second tune <i>Scat!<\/i> Sue is joined here by vocalist extraordinaire <i>Mark Murphy<\/i> for this swinging romp.  The title tune <i>Unbreakable Heart<\/i> kicks it up a notch (to quote my favorite TV chef) highlighting her beautiful voice. On the Bluesy <i>Child of Three<\/i>, co-produced by <i>Michal Urbaniak<\/i>, Sue pulls out her harmonica and gets down and gritty with it.<\/p>\n<p><i>Mischief Night<\/i> is a steamy tune where Sue gets back to the vocal storytelling (hello Ella). Her enunciation and emotional style shine in the interplay with <i>\tDarmon Meader&#8217;s<\/i> sax riffs. <i>The Love Within<\/i> slows things up a bit, while keeping the mood light and uptempo. IT is a good cover, and shows her abilities, but doesn&#8217;t have quite the punch of the Maskaleris-written tracks. <i>I Can&#8217;t Cry Over You Any More<\/i>, featuring Michal Urbaniak on violin, brings back the dynamic flow.<\/p>\n<p><i>Delgado\/Sonhos Reciclados<\/i> is a smooth Latin-influenced piece, and is the only tune NOT written by Sue that keeps the feel of the CD intact. <i>No But I wish<\/i> is straight out of Rio De Janeiro. <i>Never to Learn\/Nunca Aprender<\/i> slows things down at the end, a sweet finish to a joyous ride. <i>\tUnbreakable Heart<\/i> was a pleasant surprise&#8230; a keeper.   <\/p>\n<p>  For more information on Sue Maskaleris or to hear Samples from the CD <i>Unbreakable Heart<\/i> visit<\/p>\n<ul>\n<ul>\n<li><a href=\"http:\/\/artists.mp3s.com\/artists\/104\/sue_maskaleris.html\" target=\"_blank\">Mp3.Com<\/a>  <\/li>\n<li><a href=\"http:\/\/www.cdbaby.com\/cd\/maskaleris\" target=\"_blank\">CD Baby<\/a> or <\/li>\n<li><a href=\"http:\/\/www.suemask.com\/\" target=\"_blank\">The Sue Maskaleris Web Site<\/a>  <\/li>\n<\/ul>\n<\/ul>\n<p align=\"center\"><cfinclude template=\"adbanner.asp\"\/><\/p>\n<p align=\"center\">\n<p>  <\/font>  <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Unbreakable Heart Sue Maskaleris(Jazilian &#8211; 2001) by Carmen Miller Unbreakable<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3712","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3712"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3712\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}