{"id":3689,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/tim-hagans-bobbelden-re-animation-live-in-montreal\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"tim-hagans-bobbelden-re-animation-live-in-montreal","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3689","title":{"rendered":"Tim Hagans \/ BobBelden  &#8211; Re-Animation: Live in Montreal"},"content":{"rendered":"<p align=\"left\"><img loading=\"lazy\" decoding=\"async\" hspace=\"4\" vspace=\"4\" src=\"https:\/\/jazzusa.com\/storypix\/reanimationlive.jpg\" width=\"90\" height=\"90\" alt=\"Tim Hagans \/ BobBelden \" border=\"0\" align=\"left\"\/><font color=\"blue\" face=\"Verdana, Helvetica\" size=\"4\">  Tim Hagans \/ BobBelden <\/font><br \/><font color=\"blue\" face=\"Verdana, Helvetica\" size=\"2\">  Re-Animation: Live in Montreal<\/font><br \/><font color=\"#000000\" face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:8pt\">  (Blue Note &#8211; 2000)<br \/><img loading=\"lazy\" decoding=\"async\" hspace=\"4\" vspace=\"4\" height=\"8\" src=\"https:\/\/jazzusa.com\/.gif\" width=\"4\" align=\"middle\"\/> by John Barrett<\/font><\/p>\n<p>  <font face=\"Verdana\" size=\"2\" color=\"black\">                The first thing we hear is a French announcer; the second thing we   hear is a mess of samples (courtesy of Tribal Tech&#8217;s Scott Kinsey.) Bob   Belden&#8217;s sax snakes through the air, followed by muted horn; the synth then   whoops like a horn section.  Images whoosh by, like trains in a crowded   station &#8230; the ride has just begun.   <\/p>\n<p>              Tiny themes appear here and there, but spontaneity prevails. When   Kinsey plays video game noises on &#8220;Kingsize&#8221;, the drummer responds with a   James Brown riff, and all turns funky.  DJ Kingsize scratches a little,   intertwines a lot of drum samples \u0096 as the crowd goes wild, we&#8217;re into   another song. Under tense beats, Tim Hagans murmurs softly, then gives a   nervous yelp.  Belden is smoother, stretching in lines that take odd turns.    Kinsey makes bleeps on his instrument, like \u0091Seventies prog-rock; David Dyson   follows his steps on a fuzzy bass, and we move in another direction.  If this   music is anything, it is definitely restless.   <\/p>\n<p>              Starting with crunching noises, &#8220;28 If&#8221; builds by layers: drum   machines, a barely-audible organ \u0096 then Hagans, calling out calmly. His moves   are copied by Kinsey, for a contemplative sound.  When Tim turns nervy, so   does Scott, with a string of computer beeps.  &#8220;Dark City&#8221;resounds with eerie   whines; &#8220;Are You Threatening Me?&#8221; is a call-and-response blues, complete with   \u009160s organ.  (And a few psych effects \u0096 freaky!)  The crowd gets into this   one; likewise  &#8220;Love&#8217;sLullaby&#8221;, a near-orchestral ballad. Hagans goes   mellow, Kinsey&#8217;s keyboard moans like low brass, and the cymbals pour like   mist.  The concert seems to be over, but wait &#8230; the encore, &#8220;Trumpet   Sandwich&#8221;, is fueled by hip-hop and served hot.  Tim howls, the bass explodes;   the samples multiply &#8230; the audience melts.  At this show, many kinds of music   collided, and the sparks flew.   <\/font><\/p>\n<p>          <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tim Hagans \/ BobBelden Re-Animation: Live in Montreal (Blue Note<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3689","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3689"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3689\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}