{"id":3681,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/live-performance-review-ravi-coltrane-at-the-catalina-bar-and-grill\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"live-performance-review-ravi-coltrane-at-the-catalina-bar-and-grill","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3681","title":{"rendered":"Live Performance Review &#8211; Ravi Coltrane at the Catalina Bar and Grill"},"content":{"rendered":"<p align=\"left\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/ravicoltrane.jpg\" alt=\"Ravi Coltrane\" align=\"Right\" hspace=\"8\" vspace=\"2\" width=\"200\"\/><font size=\"4\" style=\"font-face:verdana; font-size:14pt\" color=\"Blue\" face=\"Verdana, Helvetica\">  Ravi Coltrane<br \/><\/font>  <font size=\"2\" color=\"Blue\" face=\"Verdana\">Live at the Catalina Bar and Grill<\/font><br \/><font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\">   Saturday, July 8, Hollywood, CA<br \/> by Eric Podell  <\/font><\/p>\n<p><font face=\"Verdana\" size=\"2\">     Jazz is a life form.  It moves, it feels, it touches, it reacts and   It responds.  And it was when John Coltrane released &#8216;A Love Supreme&#8221; that the  world understood jazz as a voice of the soul.  It will be a wonderful day  when Ravi Coltrane is not only referred to as the son of the great John  Coltrane.  True, Ravi Coltrane has a shadowing legacy to step into.    Several writers have given Ravi album reviews only in comparison to his legendary  father.  Observers often criticize Ravi Coltrane because they cannot hear  his own melodic voice and are only sizing him up to his dad.  They are not  listening.  I was listening closely at Catalina Bar and Grill in Los   Angeles on Sunday night, and Ravi Coltrane is alive indeed.  <\/p>\n<p>         He resembles both a young and eager student of music who views his  audience nervously through his bifocals, as well as an inspiring offspring  of his revered father.  Ravi Coltrane is both of these.  When a listener  finally hears the unique and original voice of Ravi Coltrane through his  saxophone, they will hear an explosion of rhythmic and melodic sequences  that float through the air with grace.    Ravi Coltrane is an offspring of   the jazz greats living in the age of hip hop.  The next generation has our   heads bouncing to funky rhythms while we are injected with a dose of free-jazz  melodic riffs.  The next class of jazz artists has not forgotten the beauty  of the ballad.<\/p>\n<p>  One of his best pieces of the night, Ravi Coltrane   performed an inspirational and unique version of James Carney&#8217;s &#8220;In Consequence.&#8221;   Even on this piece, Ravi Coltrane&#8217;s sax provided a rhythmic theme that helped  illuminate his own personal signature in the music world. On Soprano, Ravi  chopped through the rhythm with melodic power like a knife through butter.  To see him is not simply to view the son of a jazz great, but to see an  inspiring and exciting new mind of the next jazz millennium.  <\/p>\n<p>         At Catalina Bar and Grill, feet tapped and percussive beats bounced  from wall to wall courtesy of a rhythm section that also has a voice and  signature of their own.  On drums, Steve Hass introduced the crowd to a  grooving and poly-rhythmic display of rhythmic emotion that I have yet to  see at Jazz shows.  Usually I am hearing the amazing talent and fascinating  skill that is so characteristic of Jazz drummers.  But tonight, although  there is no doubt that Hass is inspired by the greats, he added a hip hop  feel to the music that propelled the music to move in interesting and new  directions.  Darryl Hall created a funky yet soothing feel on bass as he  combined with Hass to create Ravi Coltrane&#8217;s canvas.  And like an artist  shading in the white spots on the sketch pad, pianist Andy Milne added an  atmosphere to the music that both complimented and shaped the tone.  I  noticed forks tapping on the sides of dinner plates and hands slapping the  sides of chairs.  The rhythm in Catalina Bar provided a beautiful ocean for  Ravi Coltrane to sail on.  <\/p>\n<p>         &#8220;My mother is in the audience, and I am going to ask her to come to  the stage, &#8221; said Ravi into the house microphone.  I could barely see the  great Alice Coltrane as she stepped to the piano through the standing and  applauding crowd.  I don&#8217;t know if the excitement inside Catalina bar was  due to the presence of Alice Coltrane, or the fact that we all would have  the privilege to watch a mother and son play together.  As they began  &#8220;Ascension&#8221;, from John Coltrane&#8217;s &#8220;A Love Supreme,&#8221; I could feel as though  Ravi&#8217;s father was looking down to the stage with a tear in his eye.  Ravi  didn&#8217;t mimic his father&#8217;s style, rather, he paid tribute by playing in a  voice all his own.  Alice Coltrane sat back and smiled as she massaged the  piano keys in a passionate display of musical synthesis with both her  vibrant son and her beloved late husband.  This is a musical family and I   am in their living room.  <\/p>\n<p>         For Ravi Coltrane the saying is probably true, &#8220;the best is yet to  come&#8221;.  As a result, I am both anxious and excited to witness the growth of  this musical talent.  As the set ended, Ravi stepped behind me to talk to a  friend in the audience who had just entered the club.  &#8220;You missed it, my  mother sat in with me tonight,&#8221; said Ravi.  In his voice I heard a sense of  humbling pride.  The pride of being the son of such inspiring parents, and  the pride he must take in possessing the genes to a unique and original  musical life that is all his own.    <\/font><\/p>\n<p>    \t          <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ravi Coltrane Live at the Catalina Bar and Grill Saturday,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3681","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3681"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3681\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}