{"id":3671,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/ragabop-trio-ragabop-trio-2\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"ragabop-trio-ragabop-trio-2","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3671","title":{"rendered":"Ragabop Trio &#8211; Ragabop Trio"},"content":{"rendered":"<table width=\"100%\" cellpadding=\"5\">\n<tr>\n<td valign=\"top\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/ragaboptrio.jpg\" align=\"right\" border=\"1\" hspace=\"4\" \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Ragabop Trio<\/strong><\/font><br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>Ragabop Trio<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" color=\"000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\">  Abstract Logix &#8211; 2010<br \/><a href=\"http:\/\/soundsoftimelessjazz.com\" target=\"_blank\">Sounds of Timeless Jazz<\/a><\/p>\n<p><font size=\"2\" style=\"font-family:verdana; font-size:13px\" face=\"Verdana, Helvetica\"><\/p>\n<p>Drummer Steve Smith, saxophonist George Brooks and guitarist Prasanna are the Ragabop Trio. Their self-titled debut recording for Abstract Logix is comprised of original songs written by its members who express their visions with a focus on groove, atmosphere and harmonic adventures.\u00a0\u00a0With jazz as their foundation, the highly talented trio moves through 9 great tracks with prolific and diverse rhythms, riffs and melodies.\u00a0\u00a0<\/p>\n<p>The set opens with Prasanna&#8217;s up-tempo jazz-inspired composition titled &#8220;Tug of War.&#8221; The song defines the sound of the Raga Bop Trio with its unifying East\/West blend.\u00a0\u00a0Prasanna&#8217;s Carnatic semi-tone slides (a feat in itself considering the ancient form is rarely played on electric guitar), George Brooks&#8217; bluesy alto saxophone, and Smith&#8217;s approach to his drum set makes this song a real keeper. &#8220;Miss Oma&#8221; and &#8220;Love and Hunger&#8221; were written by Brooks with the former being a nod to\u00a0\u00a0jazz calypso, as well as to the African and Indian cultures found on the island of Trinidad. <\/p>\n<p>The Euro-jazz and pattern-based modal improvisations heard on &#8220;Love and Hunger,&#8221; are a testament to Brooks&#8217; rich alto tones and Prasanna&#8217;s dynamic accompaniment skills. Smith&#8217;s amazing talents are boldly stated on &#8220;Ironically,&#8221; where his drum solo is doubled using konnakol (south Indian rhythmic vocal syllables) while on &#8220;The Geometry of Rap,&#8221; Smith uses konnakol over a funk groove with Brooks and Prasanna providing melodic and atmospheric comping. <\/p>\n<p>The first collaboration of these multi-talented musical titans is a brilliant demonstration of their creative processes and expertise in north Indian Hindustani music, south Indian Carnatic music, and the U.S.A. jazz\/groove concepts. Ragabop Trio is highly recommended.<\/p>\n<p>Reprinted with permission of&#8230;<br \/><a href=\"http:\/\/www.soundsoftimelessjazz.com\/\" target=\"_blank\"><img decoding=\"async\" style=\"BORDER-BOTTOM: 0px solid; BORDER-LEFT: 0px solid; MARGIN: 0px; WIDTH: 450px; BORDER-TOP: 0px solid; BORDER-RIGHT: 0px solid\" alt=\"sotjlogo\" src=\"https:\/\/jazzusa.com\/..\/storypix\/sotjlogo.gif\" \/><\/a><\/p>\n<p><font><br \/><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/font><\/font><\/td>\n<\/tr>\n<\/table>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ragabop TrioRagabop Trio Abstract Logix &#8211; 2010Sounds of Timeless Jazz<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3671","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3671"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3671\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}