{"id":3657,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/les-mccann-pump-it-up\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"les-mccann-pump-it-up","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3657","title":{"rendered":"Les McCann &#8211; Pump It Up"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/pumpitup.jpg\" width=\"120\" height=\"119\" alt=\"Les McCann\" border=\"1\" align=\"left\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Pump It Up<\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:18px\" color=\"Blue\" face=\"Verdana, Helvetica\">  <strong>Les McCann<\/strong><\/font><font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:12px\"><br \/>(ESC Records &#8211; 2002)<br \/> by Ray Redmond<\/p>\n<p><\/font>  <font size=\"2\" style=\"font-face:verdana; font-size:14px\" face=\"Verdana, Helvetica\">Les McCann is one of the old-school funky-jazz cats. Think <i>Oscar Brown Jr.<\/i> or <i>Maceo Parker<\/i> (who makes an appearance on &#8220;Funk It (Let The Music Play).&#8221;) and you get the general idea. &#8220;Pump It Up&#8221; starts out with the sizzling title track, written by keyboardist <i>Ricky Peterson<\/i> and his guitar-slinging brother <i>Paul<\/i> (who also play), McCann&#8217;s characteristic gravel-voice laying down the story-lyrics . <i>Buckshot &amp; LeFonque<\/i> is an obvious play on trumpeter Branford Marsalis&#8217; funky alter-ego. Part of the quality comes from the cast of  jazz funkateers that includes bassists <b>Marcus Miller<\/b> and <b>Abraham Laboriel<\/b>, drummer <b>John Robinson<\/b>, guitarists <b>Dean Brown<\/b> and <b>Paul Jackson, Jr.<\/b>, the Petersons, saxophonists <b>Bill Evans<\/b> and <b>Keith Anderson<\/b> and of course, the man, Les McCann.<\/p>\n<p><b>Paulinho da Costa<\/b> jams rhythm to <b>Bill Evans<\/b> funky sax on Evans&#8217; tune &#8220;Let It Ride (the Train)&#8221;. The groove on the infectuous &#8220;I Can&#8217;t Stand It&#8221; is more on the Charlie Earland B3-train, with some <i>very funky<\/i> Marcus Miller bass licks fueling the engine. In a surprising departure from the funky train to this point, <b>Dianne Reeves<\/b>   joins Les for a moving duet on Bill Withers&#8217; beautiful ballad &#8220;You Just Can&#8217;t Smile It Away&#8221;. McCann comes back <i>Ultra<\/i> funky on &#8220;Trying To Make It Real&#8221;, featuring <b>Billy Preston<\/b> on the organ. Then slows it down again as <b>Bonnie Raitt<\/b> turns in a soul-searing performance on an updating of McCann&#8217;s gospel-flavored &#8220;The Truth.&#8221; Variety is indeed the spice of life, eh?<\/p>\n<p>  With &#8220;Daylight&#8221; McCann again puts the funky train in high gear and rolls it to the end of the CD through &#8220;Funk It (Let The Music Play)&#8221; with Maceo whaling on his alto sax and a reprise of &#8220;I Can&#8217;t Stand It&#8221;. This is McCann&#8217;s 45th recording as a leader, and I think one of his strongest in recent (or distant) memory. The cast is a blend of old master  and young jazzers with a feel for the funky side of things and it comes off very well. You really should pump this one on your system. <\/font>            <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pump It Up Les McCann(ESC Records &#8211; 2002) by Ray<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3657","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3657"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3657\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}