{"id":3654,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/danilo-perez-providencia-2\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"danilo-perez-providencia-2","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3654","title":{"rendered":"Danilo Perez &#8211; Providencia"},"content":{"rendered":"<table width=\"100%\" cellpadding=\"5\">\n<tr>\n<td valign=\"top\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/Providencia.jpg\" align=\"right\" border=\"1\" hspace=\"4\" \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Danilo Perez<\/strong><\/font><br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>Providencia<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" color=\"000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\">  Mack Avenue &#8211; 2010<br \/><a href=\"http:\/\/soundsoftimelessjazz.com\" target=\"_blank\">Sounds of Timeless Jazz<\/a><\/p>\n<p><font size=\"2\" style=\"font-family:verdana; font-size:13px\" face=\"Verdana, Helvetica\"><\/p>\n<p>Danilo Perez&#8217;s highly anticipated debut for Mack Avenue Records is absolutely stunning.\u00a0<em>Providencia\u00a0<\/em>crosses streams of jazz, classical and Latin American folk music on 11 great compositions that spark the listener to connect with the creativity and social power of Perez&#8217;s musical conscience. In addition to his core trio-mates bassist Ben Street and drummer Adam Cruz, the award-winning pianist\/composer is accompanied by such respected musicians as saxophonist Rudresh Mahanthappa, percussionist Jamey Haddad, conguero Ernesto Diaz, vocalist Sara Serpa and a Boston-based woodwind quintet. <\/p>\n<p>The set opens with &#8220;Daniela&#8217;s Chronicles,&#8221; which pays homage to Perez&#8217;s young daughter. The beauty and love inherent in this piece is deeply moving and suggests Perez&#8217;s commitment to musically depict her personality. By contrast, &#8220;Galactic Panama&#8221; is teeming with excitement as Mahanthappa&#8217;s intense saxophonics and Perez&#8217;s percussive pianism alongside Street and Cruz&#8217;s rhythmic forms gleaned from the tamborito (Panama&#8217;s national dance) incite you to submerge yourself into the dynamic feelings of this great song. <\/p>\n<p>Perez continues his tribute to his homeland and the concept of global jazz by including a two-part chamber piece for woodwind quintet titled &#8220;Bridge of Life&#8221; and two tragic love compositions by Panamanian composers Carlo Eleta Almaran (&#8220;Historia de un Amor&#8221;) and Avelino Munoz&#8217;s lovely ballad (&#8220;Irremediablemente Solo&#8221;). A two-part composition titled &#8220;The Maze&#8221; concludes the set.\u00a0\u00a0<\/p>\n<p>The duet between Perez and Mahanthappa features their muscular and jagged playing on &#8220;The Maze: The Beginning&#8221; and their tender and reflect feelings on &#8220;The Maze: The End.&#8221; It&#8217;s been a long time coming but\u00a0<em>Providencia<\/em>is definitely worth the wait.<\/p>\n<p>Reprinted with permission of&#8230;<br \/><a href=\"http:\/\/www.soundsoftimelessjazz.com\/\" target=\"_blank\"><img decoding=\"async\" style=\"BORDER-BOTTOM: 0px solid; BORDER-LEFT: 0px solid; MARGIN: 0px; WIDTH: 450px; BORDER-TOP: 0px solid; BORDER-RIGHT: 0px solid\" alt=\"sotjlogo\" src=\"https:\/\/jazzusa.com\/..\/storypix\/sotjlogo.gif\" \/><\/a><\/p>\n<p><font><br \/><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/font><\/font><\/td>\n<\/tr>\n<\/table>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Danilo PerezProvidencia Mack Avenue &#8211; 2010Sounds of Timeless Jazz Danilo<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3654","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3654"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3654\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}