{"id":3647,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/herbie-hancock-possibilities\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"herbie-hancock-possibilities","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3647","title":{"rendered":"Herbie Hancock &#8211; Possibilities"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/possibilities.jpg\" width=\"120\" height=\"120\" alt=\"Possibilities\" align=\"right\" border=\"1\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Possibilities<\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:18px\" color=\"Blue\" face=\"Verdana, Helvetica\">  <strong>Herbie Hancock  <\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:11px\">(Vector &#8211; 2005) <br \/> by Ray Redmond<\/font><br \/><font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\" color=\"#000000\">  <strong>The master is back! <\/strong>Piano and keyboard legend <strong>Herbie Hancock<\/strong> has gethered an unlikely combination of the old and the new to spawn what I can only call a <em>wonderfully unexpected <\/em>album. This release stretches the definitions of genre and jumps past the generation gap to touch listeners of all ages, and not just <em>jazz<\/em> listeners. With tracks written by Paul Simon, Stevie Wonder and Sting, just to name a few, you already get the picture&#8230;<\/p>\n<p>  The roster on this project reads like a cross-genre, cross-generational blueprint; <strong>Joss Stone, Annie Lennox, Sting, Paul Simon, John Mayer, Christina Aquillera <\/strong>(who was &#8220;stellar&#8221;) and more. Says Hancock: &#8220;They brought what they do to the table, and I brought what I do to the table. The result is a music that allows us to all go outside the pigeonholes the music business forces us to stay in. We&#8217;re breaking down expectations, walking the tightrope while not scaring our fan bases away.&#8221;   <\/p>\n<p>  And believe me, the CD delivers every bit of the combined class and jammin&#8217; you expect from Mr. Hancock and that all-star cast of veterans and young stars.  I particularly liked the world-flavored <em>Safiatou<\/em>, featuring <strong>Santana<\/strong> and Beninese diva <strong>Ang\u00e9lique Kidjo<\/strong>, for the classic guitar flair and flavorful vocalizations. <\/p>\n<p>  Another jammer on this CD is <em>When Love Comes To Town<\/em>. Herbie&#8217;s timely piano passages collaborate with British soulstress <strong>Joss Stone<\/strong> and blues man <strong>Jonny Lang<\/strong> to bring the down and dirty straight to your player. The treatment of Sting&#8217;s <em>Sister Moon<\/em>, featuring <strong>Sting<\/strong> (of course,) is a more up tempo and classy take on a song that was originally beautiful, but brooding.<\/p>\n<p>  The already lovely Steveland Morris classic <em>I Just Called To Say I Love You <\/em>is presented here by Mr Hancock with a certain grace and beauty, with an added <em>joi de vive<\/em> from singer  <strong>Raul Mid\u00f3n <\/strong> as he paints on Hancock&#8217;s musical canvas. I could go on and on about <em>Possibilities<\/em>&#8230; so you should go on and on&#8230; and on out to the store and get this one!      <cfinclude template=\"adbanner.asp\"><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/cfinclude><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Possibilities Herbie Hancock (Vector &#8211; 2005) by Ray Redmond The<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3647","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3647"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3647\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}