{"id":3553,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/alan-hewitt-project-noche-de-pasion\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"alan-hewitt-project-noche-de-pasion","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3553","title":{"rendered":"Alan Hewitt Project &#8211; Noche De Pasion"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/nochedepasion.jpg\" width=\"110\" height=\"110\" alt=\"Alan Hewitt Project\" align=\"right\" border=\"1\" vspace=\"0\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Alan Hewitt Project<\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:18px\" color=\"Blue\" face=\"Verdana, Helvetica\">  <strong>Noche De Pasion<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:11px\">(215 Records &#8211; 2004) <br \/> by Ray Redmond<\/font><br \/><font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\" color=\"#000000\">  Wow! This is a <i>smoking<\/i> smooth jazz CD. Hewitt opens absolutely JAMMING the title track and featuring <b>Euge Groove<\/b>&#8216;s smooth sax&#8230; this is a good choice for first track on the CD. <b>Steve Madaio<\/b> stands in on trumpet and flugelhorn to accompany the Hewitt keyboards on the staccato laden <i>Breathless<\/i>. <i>Love Feeds The Fire<\/i> slows up the pace but turns up the heat with <b>Michael Lington<\/b> making his appearance. And it doesn&#8217;t stop there&#8230; <b>Jonathan Butler<\/b> lends his guitar and scat vocals to the Butler-penned <b>Sweet Thing<\/b>, then alto diva <b>Mindi Abair<\/b> struts her stuff on the spanish-flavored <i>U Touch Me<\/i>.<\/p>\n<table align=\"left\" cellpadding=\"4\" cellspacing=\"1\" width=\"50\" bgcolor=\"maroon\">\n<tr>\n<td align=\"center\" bgcolor=\"eeeedd\"><font size=\"1\" style=\"font-face:arial; font-size:10px\" color=\"maroon\">Listen to <b>Breathless<\/b> using <i><a href=\"http:\/\/real.com\" target=\"_blank\">RealAudio<\/a><\/i>.<\/font><br \/><embed src=\"audio\/breathless.ram\" type=\"audio\/x-pn-realaudio-plugin\" height=\"44\" width=\"125\" console=\"mysound12\" controls=\"ControlPanel,StatusBar\"\/><\/td>\n<\/tr>\n<\/table>\n<p>    Throughout this parade of stars <b>Alan Hewitt<\/b> rides and guides each track with his keyboard work, the glue that holds the tracks together, as the guest artists do their &#8220;guest&#8221; things. Vocalist <b>Shea Chambers<\/b> again slows it down a bit on the seductively smooth <i>Inside My Dreams<\/i>. The rest of the CD has appearances by <b>John Defaria<\/b> and <b>Gerald Spikes<\/b> who perform on two tracks apiece, most notably <i>Blue Sky<\/i> with it&#8217;s wonderful guitar lines. \t<\/p>\n<p><i>Noche De Pasion<\/i> is a good change from these smooth jazz CD&#8217;s we&#8217;re seeing lately where they pile a heap of good artists together and expect a great album (usually NOT). Rather, this is a great smooth jazz release that&#8217;s better for it&#8217;s inclusion of so many cameo artists. Bravo Alan&#8230; 4 stars.        <cfinclude template=\"adbanner.asp\"><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/cfinclude><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alan Hewitt Project Noche De Pasion(215 Records &#8211; 2004) by<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3553","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3553"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3553\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}