{"id":3539,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/nick-colionne-interview\/"},"modified":"2018-10-26T09:16:21","modified_gmt":"2018-10-26T16:16:21","slug":"nick-colionne-interview","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3539","title":{"rendered":"Nick Colionne Interview"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/nickcolionne2003.jpg\" alt=\"Nick Colionne\" hspace=\"4\" vspace=\"4\" border=\"0\" align=\"left\"\/><font size=\"4\" color=\"Blue\" face=\"Verdana, Helvetica\" style=\"font-size:16px\"><b>Smooth Jazz Guitarist Rising<\/b><br \/><\/font><b><font color=\"#0000FF\" face=\"Verdana\" size=\"3\" style=\"font-size:18px\">Speaking With Nick Colionne<br \/><\/font><\/b><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:11px\">     by S.H. Watkins, Sr.<\/p>\n<p><\/font><font face=\"verdana\" size=\"1\" style=\"font-size:11px\" color=\"maroon\">  I first heard Nick Colionne a few years ago after the benefit concert for Art porter&#8217;s kids in Chicago. We all went to the Metropole to kick it with the performers, and a guy named Nick Colionne was playing the club. He was jammin&#8217; so hard that smooth jazz guitarist <strong>Peter White<\/strong>, who was chilling after playing the benefit, grabbed an axe and started to jam with Colionne. Nick never wavered, taking the challenge and pushing it with White to take a great night to higher heights. Now Colionne has a new record company and a new CD that&#8217;s about to hit the scene.<\/p>\n<p><\/font>  <font face=\"verdana\" size=\"2\" style=\"font-size:13px\" color=\"Black\">  <b>JazzUSA<\/b>: Nick, you&#8217;ve been at this a long time. When did you start playing guitar, and what made you decide to do it for a living?  <\/p>\n<p><b>N.C.<\/b>: Well, I started playing when I was around 9 years old.  My stepfather played guitar, and I picked it up from him.  Once I started I knew I didn&#8217;t want to do anything else.  At 9 I wasn&#8217;t thinking about making a living at it, I just knew I loved to play.  I played in Chicago talent contests and won a lot of them, and at 15 I was asked to tour with an R&amp;B vocal group. That was the beginning of my professional career as a musician.    <\/p>\n<p><b>JazzUSA<\/b>: Do you come from a musical background?    <\/p>\n<p><b>N.C.<\/b>: Yes, there was always music around me.  My stepfather played guitar, my aunt was a singer, my father was a songwriter, my brother is a drummer, an uncle plays saxophone, another uncle plays flute and percussion.  In addition to all that, I heard jazz played in my house daily and my aunt probably has one of the best collections of jazz recordings in Chicago.    <\/p>\n<p><b>JazzUSA<\/b>: As a guitarist, who are your inspirations and influences?    <\/p>\n<p><b>N.C.<\/b>: Wes Montgomery, Kenny Burrell, Charlie Christian, Joe Pass, Herb Ellis, Grant Greene, George Benson, Jimi Hendrix and B.B.  King most definitely, and Steve Vai and Albert King&#8230;.a pretty eclectic bunch!    <\/p>\n<p><b>JazzUSA<\/b>: What kind of guitars do you own and play?  <\/p>\n<p><b>N.C.<\/b>: I play mostly a Gibson L-4 CES and the Epiphone Broadway. I also own a couple of Stratocasters and a Cascio guitar synthesizer, and quite a few Gibson and Epiphone guitars of various kinds.    <\/p>\n<p><b>JazzUSA<\/b>: What is your favorite?   <\/p>\n<p><b>N.C.<\/b>: My favorite depends on what I&#8217;m playing and how I&#8217;m feeling at the time!       <\/p>\n<p><b>JazzUSA<\/b>: You are often compared to George Benson for obvious stylistic reasons. Is this intentional, or just a result of his influence?    <\/p>\n<p><b>N.C.<\/b>: It&#8217;s a result of his influence.  I listen to George a lot, and played a lot of his music in my career.  I guess it&#8217;s only natural that some of my stylings would be compared to his.  My biggest influence, though, would still be Wes Montgomery.    I incorporate a lot of octaves into my playing and have since I first started.  They seem very natural to me.    <\/p>\n<p><b>JazzUSA<\/b>: I first saw you play at the Metropole right after the Art Porter Benefit concert. You were out there jammin&#8217; and Peter White popped in to play with you. It was one of the best impromptu performances I can remember, and It was obvious then that you had the talent to hang with some of the best&#8230; I saw it myself.  Why has it taken so long for the rest of the world to see it?  <\/p>\n<p><b>N.C.<\/b>: Well, I don&#8217;t know!   I&#8217;m just glad that now I&#8217;m getting the opportunity to get my music out in front of people so they get a chance to hear what Nick Colionne is about and hopefully they&#8217;ll all dig it!    <\/p>\n<p><b>JazzUSA<\/b>: There&#8217;s a new record deal and CD with Three Keys Music. How did that come about?    <\/p>\n<p><b>N.C.<\/b>: It was serendipitous.  Everything came together at the right time and Marcus Johnson, who&#8217;s the CEO of Three Keys Music and also a great keyboardist in his own right, heard my new project and the next thing I knew I was signed and, hopefully, the rest is history!    <\/p>\n<p><b>JazzUSA<\/b>: Are you pleased with the amount of control Three Keys Music allows you creatively?    <\/p>\n<p><b>N.C.<\/b>: Very much so.  Marcus gives his artists the room to create and play music that they feel,  and if he&#8217;s directly involved in a tune he&#8217;s very collaborative.    <\/p>\n<p><b>JazzUSA<\/b>: Is this a multi-album deal, or are future CD&#8217;s with Three Keys Music dependent on the success of this one?   <\/p>\n<p><b>N.C.<\/b>: It&#8217;s a multi-album deal.    <\/p>\n<p><b>JazzUSA<\/b>: Any plans to perform with other Three Keys Music artists like Bobby Lyle or Michael Lington?    <\/p>\n<p><b>N.C.<\/b>: I&#8217;ve already had the opportunity to play with both of them and also with Marcus Johnson.    <\/p>\n<p><b>JazzUSA<\/b>: What kind of thing do you envision doing with them?    <\/p>\n<p><b>N.C.<\/b>: A <em>Three Keys All Stars<\/em> tour is in the works, and I also envision writing with and for other Three Keys artists.  I do a lot of writing &#8211; most of the tunes on my new CD were written or co-written by me.    <\/p>\n<p><b>JazzUSA<\/b>: What about artists that are not with Three Keys Music?    <\/p>\n<p><b>N.C.<\/b>: I&#8217;ve written for other artists and I envision doing so in future, but right now my focus is on Three Keys Music and Three Keys artists.    <\/p>\n<p><b>JazzUSA<\/b>: Are there any tour dates planned in conjunction with the new release?    <\/p>\n<p><b>N.C.<\/b>: Yes, that&#8217;s in the works, too.     <\/p>\n<p><b>JazzUSA<\/b>: You ARE pressing for dates in Portland and Seattle, RIGHT? (laughing) <\/p>\n<p><b>N.C.<\/b>: Absolutely!   Portland, Seattle and everywhere else.  I love playing to a live crowd and my manager says I&#8217;d play the local laundromat if I had an audience!    <\/p>\n<p><b>JazzUSA<\/b>: Anything else you&#8217;d like to tell our readers?    <\/p>\n<p><b>N.C.<\/b>: I&#8217;d like to tell your readers that &#8220;Just Come On In'&#8221; is going to be in stores  September 9 and I hope that everyone who buys it will enjoy listening to it as much as I enjoyed recording it.  It&#8217;s my fourth CD and I think it&#8217;s my best to date.  Also I&#8217;d like to say come out and see me when I hit your town &#8211; look for Nick Colionne and &#8220;Just Come On In&#8221;!  <\/p>\n<p>  You can keep up with this hot jazz guitarist at <a href=\"http:\/\/nickcolionne.com\">nickcolionne.com<\/a>.            <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Smooth Jazz Guitarist RisingSpeaking With Nick Colionne by S.H. Watkins,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-3539","post","type-post","status-publish","format-standard","hentry","category-interviews"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3539"}],"version-history":[{"count":1,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3539\/revisions"}],"predecessor-version":[{"id":11109,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3539\/revisions\/11109"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}