{"id":3522,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/tom-scott-new-found-freedom\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"tom-scott-new-found-freedom","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3522","title":{"rendered":"Tom Scott &#8211; New Found Freedom"},"content":{"rendered":"<div align=\"left\"><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>New Found Freedom<\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:18px\" color=\"Blue\" face=\"Verdana, Helvetica\"><b>Tom Scott<\/b><\/font><font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"><br \/>(Higher Octave &#8211; 2002)<br \/> by S. H. Watkins, Sr.<br \/><\/font><\/div>\n<p>  <font size=\"2\" style=\"font-face:verdana; font-size:14px\" face=\"Verdana, Helvetica\">  Never count out the old guys. <b>Tom Scott<\/b> was making grooving jazz before there was <i>smooth<\/i> jazz, and he&#8217;s back with a strong showing in <i>New Found Freedom<\/i>. Joined by guitarists <b>Craig Chaquiso<\/b> and <b>Paul Jackson Jr.<\/b>, Scott starts out <i>Feelin&#8217; It<\/i> right away, an uptempo groove for sure. <b>Ann Nesby<\/b> adds some sweet vocals to a track she also co-wrote <i>You Are My Everything<\/i>, a potential crossover track that brings in <b>Billy Preston<\/b> on B3 and <b>Paulinho Da Costa<\/b>     on percussions. <i>(Don&#8217;t You Wanna) Jam<\/i> features some funky work from <b>Craig T. Cooper<\/b> on guitar and talk box, as well as a bluesy lead from Scott. <b>Val Watson<\/b> takes the vocal lead along with pianist <b>George Duke<\/b> on the Jimmy Jam\/Terry Lewis neo-classic track <i>Can You Stand The Rain<\/i>, and again on the sexy, saxy <i>I wanna Be With You<\/i> which also features <b>Marcus Miller<\/b> popping the bass.<\/p>\n<p>  The litany of stars rolls on as the hits roll out on this great CD. On the Simply Red hit <i>Holdin Back The Years<\/i> Scott combines his talents with guitarist <b>Jonathan Butler<\/b>, keyboardist <b>Larry Dunn<\/b> and bassist <b>Abe Laboriel<\/b>, as well as vocalists Watson, <b>Michael Cooper<\/b> (formerly of R&amp;B band Con Funk Shun) among others. Yes, the track is jamming (it better be with personnel like that). <i>Just a Little<\/i> and <i>The View From Here<\/i>  bring in <b>Gerald McCauley<\/b> on keyboards and <b>Luis Conte<\/b> on percussion, the latter also featuring aonther old-schooler <b>Phil Upchurch<\/b> on guitar. I guess Tom figured he couldn&#8217;t stop until he had used all the best old-school bass players out their (but Stanley Clarke) so he got <b>Nathan East<\/b> to sit in on <i>Never Too Far From You<\/i>.<\/p>\n<p>  Maybe the prettiest of them all is <i>Everything must change<\/i>. <b>Daniel Rodriguez<\/b> vocal rendering of this classic is mesmerizing. Scott&#8217;s sax is melodic and floating around and behind as Rodriguez silky lead glides through the track. Overall this is a very enjoyable CD; the performers a top-notch and the songs well chosen, performed and produced. Congratulations again to <i>Higher Octave<\/i> music for once again taking an artist and allowing them put out the music they are best suited for, this is <b>Tom Scott<\/b> the way he should be. <i>Smoooooth<\/i>&#8230;  <br \/><\/font>            <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>New Found FreedomTom Scott(Higher Octave &#8211; 2002) by S. H.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3522","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3522"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3522\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}