{"id":3514,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/herb-alpert-definitive-hits\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"herb-alpert-definitive-hits","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3514","title":{"rendered":"Herb Alpert &#8211; Definitive Hits"},"content":{"rendered":"<p align=\"Left\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/definitivehits.jpg\" width=\"80\" alt=\"\" border=\"1\" align=\"Left\" hspace=\"4\" vspace=\"5\"\/><font color=\"blue\" face=\"verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\">Definitive Hits<\/font><br \/><font color=\"blue\" face=\"verdana, Helvetica\" size=\"4\">Herb Alpert<\/font><br \/><font face=\"verdana, Helvetica\" color=\"#000000\" size=\"1\">  (A&amp;M &#8211; 2001)<br \/>   by Matthew S. Robinson<\/font><font face=\"verdana\" size=\"2\" color=\"#000000\"> <\/font><\/p>\n<p align=\"left\">  <font size=\"2\" face=\"Verdana, helvetica\">  How self-serving can one musical genius be to have a label he co-founded  release a collection of his best-loved songs?  <\/p>\n<p>But this is not just any self-serving genius. This is the guy who brought the world Dolores Ericson covered in shaving foam. This is the self-serving genius who scored the best James Bond film that wasn&#8217;t really a James Bond film ever. This is the self-serving genius who set the music to elevators and waiting rooms around the world.<\/p>\n<p>  This is Herb Alpert!<\/p>\n<p>  From the opening charge of &#8220;The Lonely Bull&#8221; (complete with homesickness-inducing crowd noise) to the closing washes of &#8220;Making Love in the Rain,&#8221; this album chronicles one of the most prolific and constantly contemporary careers in the music industry. Taking his Tijuana Brass in their jalopied &#8220;Tijuana Taxi,&#8221; Alpert blows from  the &#8220;Heat Wave&#8221;-inspiring &#8220;Mexican Shuffle&#8221; to the bazoukid blitz of &#8220;Zorba the Greek.&#8221;   <\/p>\n<p>Perhaps his most famous film-related song, however, is the Burt Bacharach classic &#8220;Casino Royale,&#8221; a song which could inspire even Woody Allen to take on the world&#8217;s most dastardly criminals. Bacharach also gave Alpert one of his most famous ballads, and one of his Herb&#8217;s peachiest vocal offerings, with &#8220;This Guy&#8217;s In Love With You.&#8221; Herb also has a groovy thing goping with Nat Adderly&#8217;s &#8220;Work Song.&#8221;  <\/p>\n<p> On this collection, Alpert swings from the authentic Latin punch of  &#8220;Fandango&#8221; to the smooth American drive of &#8220;Route 101&#8221; and from the funky  crescendo of &#8220;Rise&#8221; to the hip pop hops of &#8220;Diamonds&#8221; and &#8220;Keep Your Eye On  Me.&#8221; Along the way, Alpert offers delicious delights like the minor-keyed  rag &#8220;Whipped Cream,&#8221; the sweet blooms of &#8220;Lollipops and Roses&#8221; and a  bee-utiful spin through &#8220;A Taste of Honey.&#8221;  <\/p>\n<p> How sweet it is to have all his hits together at last!  <\/p>\n<p>Thank you, Herb!   <\/font><\/p>\n<p>  \u00a9 2001, M.S. Robinson, ARR      <\/p>\n<p align=\"center\"><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:8pt\"><cfinclude template=\"adbanner.asp\"\/><\/font><\/p>\n<p align=\"center\"><a href=\"http:\/\/JazzUSA.com\" target=\"_top\"> <\/a><\/p>\n<p>  <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Definitive HitsHerb Alpert (A&amp;M &#8211; 2001) by Matthew S. Robinson<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3514","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3514"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3514\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}